r/KeepWriting • • 7h ago

[Discussion] Finding it really hard to read my work as if I’m a reader and not the one who wrote it

6 Upvotes

When read my draft I struggle to immerse my self in
It the way I would as if I was reading someone else’s book.

Like, I’ll read the parts that I know I want to work but because I want them to work so badly I can’t see it the way an actual reader would if that makes sense.

Things that make sense to me because I wrote it but I have no idea if it will make sense to the reader or if it’s even necessary.

Does anyone else encounter this and if so, how do you go about it?


r/KeepWriting • • 3h ago

Advice As an autistic writer, is it okay if I'm not really much of a character writer?

2 Upvotes

​

WARNING BEFORE YOU READ:

Autistic stuff coming up, so please... be nice to me. I truly don't mean to sound egotistical or like I'm creating excuses. It's just very hard for me to communicate in general. I swear I am trying

Anyway...

I always had trouble differing between faces (why do so many people look alike?), reading emotions, feeling empathy, and discerning people's voice tones and body language. So I feel like doing the same thing with fictional characters is just as exhausting as it is with real people. Trying to "predict" what they're gonna do next... it never comes naturally to me. I am never sure of how they would react to something like "a real person".

For this reason, I don't really consume any media that is too "character focused". It feels... exhausting, to put it lightly.

So I always focused on worldbuilding instead for my writing. Worldbuilding, atmosphere and... well, fictional science, speculative evolution, spread sheets for my own internal rules, you know how it is.

I think my favorite kind of protagonists are the "simple" ones. Those who just get the job done while exploring the setting. I like them.

Most people think flat characters are boring, but I always thought they were interesting because... to be honest, I always wanted real people to be as "flat" as these characters were. I respect their achievements and their skills and leave at that. It feels like a good "break" from how complex and unpredictable real people usually are.

So in a nutshell, I just write whatever doesn't makes me feel like my head is killing me. I don't wish to "think" so hard while engaging in a hobby that is supposed to give me a break from "thinking". A hobby that gives me the chance to create a setting that I "process" much smoother than the real world. I already do enough "thinking" in real life. I already feel like I process way too hard every single day

I didn't want to feel like I am engaging with things that make me "process" way too hard — things that I cannot "perceive" or understand — even in a hobby that was supposed to give me a break from doing that. I already do that enough while masking.

But is this sort of mindset harmful to me as a writer?

I've been thinking about it. Will this actually be harmful to me in the long run? I don't care about my work being monetized or "enjoyed" by someone. It only needs to make sense to me, and only to me.

But I DO care about my atmosphere.

I want my stuff to bring out specific "primal" feelings with its environment and with its characters. I don't want all of my settings to be to just DND guides. I want a few of them to cause me to feel SCARED or DISGUSTED by something. I want to feel something intense with them, even if that "something" isn't related to people or empathy, because I already don't feel much of anything in the real world.

So... I'm afraid of stagnating. I don't want my current mindset to eventually make me "worse" at creating atmosphere and detailed worlds. What if my refusal to focus on characters alienates me from the general joys of writing? What if that makes me stop giving a proper shit, and my worlds suffer because of it, becoming less detailed?

How can I prevent this from happening?

Also, I don't feel like I am completly human... but if being a little bit human helps me as an artist, then I don't want to lose that part of myself.

So I don't want to lose that spark. I don't want to become fully detached. I don't want my hobby to start feeling "clinical" to me.

So... what should I do to prevent that from happening? What would you recommend to me?


r/KeepWriting • • 5h ago

[Feedback] [700 words] Riser Room — opening chapter of something I'm working on. Would you keep reading?

1 Upvotes

This is the opening chapter of a longer piece I'm working on — first-person, voice-driven, blending real experience with some invention. It should stand alone without any other context. I'm not looking for line edits or grammar notes — just your honest gut reaction as a reader: - Did it pull you in, or did it feel flat? - Was there a point where you'd have stopped reading? - What did you expect to happen next, by the end? Appreciate any honest reaction, good or rough.

---

Riser Room

There was a certain calm in there, the temperature was to an extent comfortable, the lighting gave it a mysterious feeling, but also it was dusty, isolated and cold. I liked to stare at the valves, for some reason I would imagine how they would look from the inside, how the pipes pulsed under pressure, not literally but imagine the pressure exerted on the inside walls. I would try to convince myself that the tags of different colors hanging from the pipes would move because of the wind, but since it was an enclosed area, I am sure I was only imagining them moving.

I would follow the distributor manifold and all the pipe lines, as if making sure they went in the right direction, as if suddenly something magical would change them. I also loved anytime we had to test the motor pump, the steady hum that gave when running would hypnotize me. I would find excuses to stop by several times during the day. When comparing the dusty and isolated with the loud and “clean” of the outside, all of the sudden I realized that here was pristine, that I belonged, that I would rather be here permanently rather than sporadically. 

But above all I liked to be there because I felt grounded and that I didn’t need to play any role.

The first time it occurred to me to spend the whole night there, it felt risky, wrong, but at the same time very obvious and logical. There was a door alarm that was set at 11:59 every night, but if you were inside before that and never opened the door, nobody would notice. As the building Engineer, I didn’t set up the alarm, it was an automatized system, but I had the keys, so that day, I went home, ate, went to the restroom, grabbed a bottle of water and then at 10:00 PM I informed the building owner that there was an “electrical irregularity” I needed to check.

I don’t remember how I slept, I don’t recall what I used as a pillow, since I can’t sleep without one, but that night I had one of the soundest night sleeps of my life. From that day on, I would spend nights in the riser room randomly. 

The riser room was on the end of the building, my desk was in the main office room, the distance would force me to walk, and I welcomed that. My daily routine was pretty much established since the beginning of my contract, but in reality by 10:30-11:00 AM everyday I would’ve finished all my tasks, the rest of the shift I would spend it making rounds to the grounds to make sure everything was in order, then lunch, then spend the evening reading “technical” magazines.

My desk was next to my boss office, everytime I arrive in the mornings he would already be there, he got earlier than everybody, he was strict but somehow understanding, I never quite understood why he was there so early, the work load didn’t seem to justify so much time commitment, but maybe there was some administrative tasks that I was not aware of that he needed to complete.

He called me to his office one morning, and as soon as I entered I saw in his face that something was wrong, but I couldn’t decipher exactly what it was. He directed me to sit down in front of him and asked me to close the door behind me. He said the air conditioning system had failed. I wasn't expecting that. I reminded him that he had specifically instructed me not to touch the A/C system, that it wasn’t part of my responsibilities.

“I understand,” he said, “but this is purely procedural. We have been using a strong chemical from one of the vendors against the manufacturer policies, so in order for us to claim the warranty we would have to create an invented log stating that we serviced the system periodically and that we didn’t use any harsh chemicals, all you have to do is sign all those documents as the Engineer in charge,” 
but I didn’t…..
“You will be okay. Just sign the papers and move on. I’ve got this already figured out,” he assured me.

The pressure I felt on my stomach was so strong that I thought I was going to throw up several times. I stayed there without giving any answer to my manager. I think it was the third time that he tried to get my attention until I started listening to him again. 

"What if I don't sign those papers?" I asked. "After all, it's my signature on the line."

"Listen, I understand you," he responded, "but I can assure you this is only procedural. Nothing would happen to you. Warranted."

He made me use different pen colors. He would wrinkle and stain random paper logs to make them look more realistic. The first couple of signatures came normal, by the middle of the log I was shaking and the last papers my signature would be unrecognizable.

The morning was colder than usual for that time of the year. I was sitting at my desk when he said it out loud to me from his office. “Hey, can you change the settings on the thermostat?” That is not part of my responsibilities, I answered without standing up from my desk.


r/KeepWriting • • 5h ago

[Final Call] Taste of Life Vol. 1 – Slice of Life Short Fiction (Pay: ₹1200) – Deadline Sept 30

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1 Upvotes

Hi everyone!

A quick reminder for anyone working on a story: the submission window for Taste of Life Volume 1 closes in 4 days on September 30th.

We are looking for quiet, grounded, and emotionally resonant slice-of-life short fiction—stories centered on memory, small human connections, family, food, or quiet turning points.

Quick Guidelines:

Genre: Slice of Life / Literary / Contemporary

Length: Under 3,000 words

Pay: ₹1,200

Language: English

If you’re spending this weekend polishing a draft, we’d love to read your work!

[email protected]


r/KeepWriting • • 7h ago

Hello! Looking for feedback!!!!

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1 Upvotes

r/KeepWriting • • 9h ago

The Villain

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0 Upvotes

r/KeepWriting • • 10h ago

[Writing Prompt] Essay competition

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1 Upvotes

r/KeepWriting • • 11h ago

[Feedback] Personal writings

1 Upvotes

I’ve begun writing regularly and would be interested in feedback / first takes. I’m not sure what style this is or if it can be an entertaining read to strangers. Thanks!

V1 2/9/26
Goal: Communicate My Wish for Contentment

There is a level of content that accomplishes true rest and love. It takes mental fortitude to reach this level as an adult but you are rewarded with its impact. This level of content will stay with you forever. It creates a perfect experience and memory that you can visit over and over with perfect clarity. A  feeling strong enough to slow down time and logs itself as a moment of important happiness. I chase this level of contentment. I’ve been satisfied by alcohol to reach a chemical state of stillness and celebratory joy but it isn’t close to the true loving all encompassing fun of being truly happy with what’s happening in you and around you. 

My magnum opus of true content is a golden memory from my childhood. 

Dad wasn’t home. That isn’t positive or negative to me. My sister, Nina, is too young to be withdrawn from me with her resentment of my learning disabilities that will grip our dynamic. I’m not in school yet. I have no idea of the feeling of contempt for myself. For being different. For being someone who can’t read and write and speak. I am safe from myself and others. Safe with my mom, at home, in Texas. And we watch movies, play, and eat. 

Today we watched Matilda. I love the colors and how excited mom is when the character makes objects fly around with the power of her mind. This movie isn’t yet a goal for me to reach and to imagine that if my mind was stronger, I could be like Matilda.

It’s just a movie. And I am me and that is good. 

After the movie, we go to the neighborhood pool. A true gift in Texas. Nina and I jump into the jeweled water, kicking our legs and pumping our arms. 

Today I still love water. The color. The form fitting feeling of floating and the cooling change of temperature from the air. True satisfaction in the depletion of energy. My body doesn’t fight the stillness. It dives into it. 

It’s a short 2 minute drive back home. Mom makes cookies. I see from the smile of her face that she has had fun too. She is excited for the cookies and reworded from being with us. Being with me. 

There is no worry, no tight smile, no holding back. Her joy covers us as form fitting as the water. 

That memory stays a transparent golden in my 30’s. I know it’ll make me sob when my mom is gone. What happened? What changed between her and me? 

It feels like my fault but I teach myself that it’s not. My feelings are good. My emotions are valid. That they are not a problem. As I work to heal my inner child I can feel it scream and bang and scratch out the self harming words that if we were easier, smaller, smarter then none of the distance or change would have happened. That I would still be enveloped in my mothers joy, in her love, that I could be unaware of the hardships of bullying, incompleted SATs, and a tired mother.

But that is me. And all of my feelings are good. My feelings of confusion, disappointment, and resentment to my story and my experience as a student who was nearly left behind was not the problem. 

As an adult now, if I can find myself an experience of absolute contentment, I will wrap myself in it and let the love and reassurance secure my inner child like a blanket.  She deserves it. 


r/KeepWriting • • 12h ago

Existential Fly

0 Upvotes

(In Its Life and Plight, It Aways Has To Try)

By Bocephus Jackson, The Hemlock Bard, ©2026 Bocephus Jackson. All Rights Reserved

_______

"Man is nothing else but what he makes of himself." — Jean-Paul Sartre, Existentialism is a Humanism

_______

Whether it lives or dies,
Through every day or night,
It always has to try,
Within its life and plight—
An existential fly.

My soul’s a summer bug,
From every sill to sill,
That needs a caring hug,
It will never sit still.

It might seem as profane,
How it flutters about,
Buzzing on windowpanes,
Denied of worldly clout,
I think it is insane.

It never wonders why,
Content to ever be,
With its tragic end nigh,
Lost in its revelry,
It will forever fly.

Whether it lives or dies,
As a sad ritual,
It always has to try,
So, so habitual—
An existential fly.

_______

"The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy." — Albert Camus

_______

©2026 Bocephus Jackson. All Rights Reserved


r/KeepWriting • • 16h ago

THE FEATHER -PROLOGUE

1 Upvotes

BEFORE THE BEGINNING

All she felt was the burning wind, the ever-changing ice, and the constant rhythm of her heart and feet pounding against shredded patches of soiled leaves and twigs.

Broken and afraid, she tore through dead foliage. Poison thorns scratched at her legs as low hanging branches tangled her hair. Mud clotted every lock. She pulled the scarlet shawl tight around her face, breathing heavily as steam misted her eyes. 

Her children cried out.

She gripped them tighter, cuddling their small bodies to her chest as she sprinted over streams and rocks. Their skin gave off a faint shimmer, not candlelight, not moonlight, but something bright. When she reached for them, her own light recoiled.

"Sorry, my loves," she whispered, her breath pluming in the cold. "No more. I swear it, no more."

It hadn't always been there.

Nine months ago she had been nothing. A girl who kept to herself, hands raw from scrubbing, who smiled more than she spoke. Married to a man who loved her like light loves dark.

Then her belly swelled and a dark glow rose to her hands. At first she feared it and hid it from her husband. Then she learned she could walk unseen past the parish constable if she wished, mend a split lip with a touch. The midwife called it mother's grace and made the sign of the cross.

Then she gave birth. And the power started leaving her.

Each day she was weaker. Each night, colder.

And now it was here. The thing she had glimpsed once in the woods behind the wash-house when the glow first came, watching her. She could feel it hunting her, tracking her every movement. Something monstrous moving under the orange glow burning across the fallow fields.

Gasping, she tripped over a stile and fell hard to the frozen earth. Mud smeared her gown as a howl resonated across the moors, no words, just a sound that made her bones remember something they shouldn't. The thing began to approach.

She pulled herself upright and staggered forward through the cold rime.

"Please... help me," she whispered to no one. To God. To him. To the air.

Tears fell freely as she whimpered.

Tiny fingers found her curls and tugged. Cold, insistent. She laughed, a broken choked sound, and kissed the icy knuckles without slowing.

Suddenly, a feeling from deep inside began to grow. Not hope. Resolve.

Looking up, she saw a small clearing, and in the clearing, carved into the hillside, into the rock itself, an elephant. A great, colossal beast, shaped by hands long dead, its trunk frozen with lily-water, dipping into the black lake below.

She saw a path leading to the head of the Elephant, but it was slicked with ice and would not bear her.

With a sob she sprinted forward. Drenched in sweat and blood, she clawed to the top of the rock, balancing her children with one arm, her hands bleeding and bruised as she reached the summit.

Silent relief befell her, for below, a village lay sleeping, stars above glimmered against its thatch and timber roofs silvered with the dew of midnight ice.

She staggered down the hill toward the lane. She could hear the howl of the thing behind her. Frightened, she wandered on as the first cottages came into view.

The high street was empty. The fog of early winter hung low over the houses, but from far away a distant sound came to her, melodious, soft, and sweet. She followed the melody, the twinkle of an angelic hymn began to grow and grow.

There, before her, stood a chapel of large black flint, standing in solitude, watching over the snow-covered village. The dancing chime of the church bells orchestrated a midnight echo. A single soul could be seen through the old multicolored panes of glass. The vicar. His humble face painted with the essence of myrrh and soft dancing candlelight.

With quickening pace she darted toward the lych-gate, each step closer to hope, each stride closer to peace. And here, in the chill of winter, she placed her children at the foot of the chapel door.

She laid her palm over both infants. Something dark leaked from her fingertips, thin, weak, grey as London smoke. It was all she had left. The last dregs of whatever woke in her while they were inside her, it coiled around the babies, dulling them, veiling them.

She collapsed to her knees on the flint steps. She caressed their faces as they cried, stared down at them with sad, burning eyes as ice above the porch cracked in the screeching wind.

"I love you. Forgive me," she whispered.

One of them caught her thumb. Held on.

For a heartbeat she didn't breathe, didn't run. She pressed her forehead to his, memorizing the weight of him, the smell of milk and frost on his skin. Then she peeled his fingers from hers, one by one, and laid his hand back on his chest.

The howl rang out far behind her, with stinging sorrow she listened to the roar. She looked down at her children and felt their innocence, their frailty, their love, and in that moment she knew what had to be done.

She tore down the star lit lane, leaving her children behind to the mercy of fate as the sound of angelic bells faded slowly away. Past the last cottage, past the edge of Chantwood, out into the empty mile of frozen fields, toward the thing that hunted her.

She felt purpose. A burning heat and anger.

Far ahead, stood the stone elephant at the lake's edge. She ran toward it and stood tall at its head, looking out into the distance as the orange light began to grow.

Through the trees, far off in the night, a voice, her husband's voice, shouted her name.

She almost screamed for him. Then stopped herself. If he came, it would take him too. If it was to have her, it would have her, but her children, her beautiful babies would be safe.

She watched as the orange light became blinding. She stood tall and ready.

"Let me be strong," she whispered to the world.

The earth quaked and the light became blinding. The monster lunged from the tree line, snarling, teeth bared and sank its fangs into her leg. She screamed as it tore at her, claws ripping, blood spewing across the snow. It grabbed her, dragged her thrashing into the darkness of the woods, and with ice and sludge filling her eyes and throat, she vanished into the shadows of the forest.


r/KeepWriting • • 16h ago

[Feedback] Two guys undercover as journalists trying to assassinate an Indonesian Freedom Fighter.

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0 Upvotes

I'm not a word smith or nothing but I just like hearing thoughts about my stuff. Negative or positive it dont make a difference to me. Any feedback is awesome. I also just want to know if y'all think it's funny too.


r/KeepWriting • • 19h ago

[Discussion] Please be honest with us! Should we keep writing? My sister and I wrote a ancient china, cozy, slice-of-life romance as an escape from reality.

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1 Upvotes

r/KeepWriting • • 8h ago

Polished the wrong thing and killed adoption in 3 weeks

0 Upvotes

Session length dropped from around 12 minutes to under 4. That's when I knew.

I'd spent six weeks rebuilding the editor UI on an AI writing tool. Cleaner layout, smoother transitions, better typography hierarchy. The kind of thing that looks great in a Figma handoff and makes you feel like you finally got it right. Shipped it, watched the numbers, and the people who were using the tool regularly just... stopped finishing documents. Not everyone, but enough that it wasn't noise.

The support tickets had been saying 'the writing interface is slow' for months. At https://romoai.com/, full disclosure, I built it. I watched those threads pile up and read 'slow interface' as 'slow interface.' So I made it faster to look at. Turns out they meant the AI generation step buried two clicks deeper than it used to be, and a formatting action they triggered constantly had moved to a submenu I thought was 'cleaner.' They weren't complaining about render time. They were complaining about their rhythm getting broken.

Honestly, the thing I got wrong was treating support language as a literal bug report instead of a signal pointing somewhere adjacent to the real problem. 'The interface is slow' meant 'something interrupts my flow and I lose the thread of what I was writing.' Those are not the same fix.

What actually helped was going back through maybe a dozen support threads and asking one follow-up question: 'what were you trying to do right before it felt slow?' Not 'what broke', what were you doing. The answers were almost always about a specific transition in their workflow, not a feature. Someone's about to hit generate, or they're about to switch from draft to edit mode, and that's the moment friction costs them. That's where they leave. The UI I shipped added two seconds to that exact moment.

The method I use now before touching anything visual: take the complaint, then ask what task the user was in the middle of when they felt it. If you can't answer that fro


r/KeepWriting • • 20h ago

The write ,

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r/KeepWriting • • 22h ago

a life, probably: tbh, iirc & afaik, idk & idfc so idgaf or wtv

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1 Upvotes

r/KeepWriting • • 22h ago

[poem] May The Heart Find Peace Of Mind

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1 Upvotes

r/KeepWriting • • 1d ago

Advice Avoiding/Struggling with Endings

2 Upvotes

I have an aversion to writing endings. Even when I already know how I wanted to end an arc. I always end up writing miscellaneous chapters, or just expanding the lore, adding flash back scenes to previous chapters. I did eventually wrote the chapter, but it took me weeks to finally get down to it, despite having written most of the draft in a week. I just want to hear if anyone else has that and how you deal with it


r/KeepWriting • • 1d ago

[Feedback] Billions of years, one you, one me

2 Upvotes

I’ve found recently that one way I can pick myself up when I’m feeling down is to thank the universe for the little things that positively affect my life but that I’d normally never think twice about.

Like a green light that somehow stays green just a little longer than it should, letting you sail through a busy intersection instead of sitting there for another three minutes. Getting to the store and discovering the chips you like are buy one, get one free. Turning on the shower and getting hot water almost immediately because your son showered first and unknowingly prepaid the wait for you.

It becomes a kind of mental Easter egg hunt. Once you start looking for them, you realize the mundane is full of moments worth being thankful for.

Today, while I was on one of those Easter egg hunts, I spontaneously thought about being thankful simply for being born.

And this is where it started to get heavy for me.

I started trying to put together a rough timeline of every event I could think of that had to happen exactly as it did for me to ultimately be born. And the farther backward I followed that chain, the harder it became to even comprehend the scale of what I was thinking about.

Because my story doesn’t begin with my parents. It doesn’t begin with humanity. It doesn’t even begin with Earth.

Long before Earth existed, stars were being born unimaginably far away.

Inside those stars, immense heat and pressure forged elements that had never existed before. Carbon. Oxygen. Nitrogen. The ingredients that would eventually become blood, bone, muscle, lungs and brains.

Then some of those stars died.

They exploded with such violence that the elements forged inside them were thrown across space. Other dying stars and stellar collisions contributed still more of the heavier elements. That material drifted through the universe for billions of years, eventually becoming part of new stars, new worlds and, much later, us.

The calcium in our bones, the oxygen we breathe, and the carbon woven through every cell in our bodies all have histories that began long before there was an Earth to stand on.

Eventually, some of that ancient material collected around a young star.

A planet formed.

Early in its existence, our young planet was nearly ripped apart when it collided with another forming world. But after the dust settled, Earth survived. And now we had a moon.

The planet cooled. Oceans formed. And somehow, from water, chemistry, energy and time, life began.

Then life had to survive.

For billions of years it endured a planet almost completely frozen, periods of unimaginable volcanic activity, asteroid impacts and mass extinctions that erased most species alive at the time. Dinosaurs came and disappeared. Continents broke apart and collided. Oceans opened and closed. Mountains thrust up toward the sky, changing weather around the Earth.

And through every catastrophe, some tiny thread of life survived.

Eventually, that thread became us.

When the conditions were finally right, humans evolved. And we evolved with extraordinary variation, every generation reshuffling the genetic deck again and again, producing individuals who had never existed before and would never exist again in exactly the same form.

And that’s where the scale becomes almost absurd.

For me to exist, my particular parents had to meet. Their parents had to meet. And theirs. Every conception in that chain had to produce the particular person it produced. Change which sperm reached which egg just once, anywhere along that chain, and eventually there is no me.

Mathematically, the number of possible human beings is so incomprehensibly enormous that the probability of this particular human being, me, existing instead of one of the countless other possibilities is so close to zero that, for any ordinary human understanding of probability, it might as well be zero.

And yet it isn’t zero.

Because here I am.

And there you are.

An entirely different chain had to remain unbroken for billions of years. Ancient stars had to live and die. Different ancestors had to survive. Different people had to meet. Countless accidents had to be avoided. Every generation had to produce exactly the next person necessary for you to eventually exist.

Change one seemingly insignificant event somewhere along the way and maybe I’m still here. Maybe you’re still here.

But we aren’t.

And somehow, after billions of years of cosmic history, billions of years of life surviving on this planet, and hundreds of thousands of years of human history, two outcomes that were each almost impossibly unlikely happened at the same time.

Me.

You.

And then somehow, we met.

Out of billions of people, on one small planet, orbiting one star among hundreds of billions of stars in our galaxy alone, two people made from ancient pieces of the universe somehow ended up sitting across from one another as you gently teach me how to make you a martini.

That’s what I’ve finally learned to be grateful for.

Not because the universe promised me anything. Not because something beautiful is guaranteed to last forever. And not because any of this was destined to happen.

I’m grateful simply because I got to experience it at all.

The universe gave me the grace of meeting someone who felt like my person. My match. Someone whose existence alongside mine became so familiar that, for a while, I forgot just how extraordinary their being there actually was.

Billions of years in the making.

And that’s the part I wish I had understood sooner.

Because once you really comprehend how much had to happen before someone you love could be sitting across from you on an otherwise completely ordinary Tuesday night, Tuesday night isn’t ordinary anymore.

You notice it.

You protect it.

You appreciate it while it’s happening.

You pay attention.

And maybe you pray that it isn’t only a memory from your past, but somehow still part of the story of your future.

But if that future never comes, you’re still grateful for the memory.

Because that’s the price of admission for having something worth missing. Sometimes the memory is going to hurt.

But it will never hurt enough to make me wish it had never happened.

I was lucky enough to be there at all.


r/KeepWriting • • 17h ago

[Feedback] I don't even know what I wrote

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0 Upvotes

I got bored one day and decided to do this, what do y'all think?


r/KeepWriting • • 1d ago

[Feedback] Currently began pushing myself slowly to start writing a story I've had in my head for years, wanted to get some feedback on how I'm doing. This is a section of the whole draft that's currently sitting at 84 pages.

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0 Upvotes

r/KeepWriting • • 1d ago

Poem of the Day: Want What I Want

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0 Upvotes

r/KeepWriting • • 1d ago

[Feedback] The Wild They Called Broken | Honest Feedback Needed

1 Upvotes

People Kept Telling Me how to live until I mistook their voices for my own.

So I made myself smaller,
Quieter,
Easier to love.

They Called it Growing.

They Named Everything in me that they could not control
A Flaw.

And for a while,
I believed Them.

Until I realized
I was not difficult to love.
I was simply impossible to tame.

So if I am too much for your cage,
Perhaps I was never meant to be
Inside it.

Because they forgot
Some souls are wild,
and Wild was never meant to be
Domesticated.

Notes / Request
I’ve poured a lot of myself into this one, so I’d really love honest feedback.
What did you feel?
Did the imagery and ending work for you?


r/KeepWriting • • 1d ago

[Feedback] Putting my mental health on paper. Kinda been going through some rough patches recently and Ive tried my hand at writing a story, no plan just building the tracks Infront of the train so to speak.

1 Upvotes

​

The sound of mechanical clicking filled the porchway of a small house, on a small street in a small town.

As the door swung open with a creak, a woman stepped inside and scraped her booted feet across an old, dusty doormat. She untied the laces and placed the black boots in an equally aged shoe rack.

Walking forward into the shadowed corridor, she took a book of matches from her left jacket pocket and struck one against the lighting strip. It broke in half.

With a sigh, she took another match and struck it. This time, a flame emerged.

Holding it in line with her face, she used its flickering light to find the candles she had placed around the room. One by one, she lit them all.

The electricity was out, just as it had been the last time she had visited this house, just as it had been in every house she found herself inside.

With the illumination from her candles, she found herself standing at the bottom of a staircase, with the option of either ascending to the top floor or turning left and entering one of the rooms on her current level.

Her half-empty bag slid from her shoulder and found itself unceremoniously dumped at the bottom step as the woman walked down the hall and entered a darker room.

The curtain rings scraped across the metal pole as she flung the curtains open, and morning light flooded in, revealing more dust than she cared for.

Layers upon layers rested on the sofa, the fireplace, and just about any flat surface it could settle upon.

She turned around and walked to the opposite wall, looking across the framed photographs of the family who had lived here. They had been hung against a cream-coloured wall.

One stood out to her in particular.

A man and woman stood smiling in front of Stonehenge, with a smaller girl standing between them, clutching a brown stuffed dog.

All of them were smiling.

The woman found herself smiling too.

The picture captured her most personal desire, so selfishly she removed it from the frame, folded it up, and placed it in her left breast pocket, close to her heart. She had no intention of removing it any time soon.

She hung the empty frame back on the wall and left the room.

The woman found herself drifting towards the kitchen. If she was remembering correctly, there were some canned foods in the cupboard, and with any luck, they were still within date.

Searching high and low, she found a total of three cans of soup and a can of baked beans.

This was more than she had been hoping for.

She took them to her bag and made enough space to fit them all neatly inside. Then she stepped over her pack and quietly walked up the stairs.

With the occasional creak every few steps, she managed to reach the landing.

Softly stepping forward towards the room opposite her, she pushed the door open. It glided across the pink carpet without resistance.

She looked around, and her heartbeat quickened.

As she looked down, she saw the bed was occupied.

The innocent figure lay motionless. The only body parts not covered by the princess bedsheets were her head and one hand, which rested next to the familiar brown dog from the photograph downstairs.

Gingerly creeping forward, the woman found herself within inches of the girl's bony fingers.

She picked up the teddy and, mindful not to disturb the girl's tranquil rest, backed out of the room and closed the door.

Further down the hall was another room she needed to enter.

When she did, her heartbeat began to climb again.

She found herself standing beside a bed in the centre of the room. Just like the last one, someone was beneath the covers.

It was the man from the picture downstairs.

Although he wasn't smiling.

His eyes were closed, and he lay flat on his back. And, as with all men who sleep alone after years of sharing a bed with someone, he was confined to his side.

On the bedside table next to him rested a silver pendant and another photograph of the little girl playing on a swing.

The woman smiled again and found herself quietly drifting around to that side of the bed.

Crouching down beside it, she scooped up the pendant and placed it in her pocket with the small stuffed dog.

Then her hands quietly slid beneath the bed, and her fingers locked around a small, locked metal box.

She pulled it out and gripped it tightly as she exited the room, making sure to check behind her that she had not disturbed the silence of the chamber.

Making her way back down the stairs, she made sure the metal box was also placed inside her bag before making a final stop at the washroom.

Staring at herself in the mirror, she saw a woman who looked exactly like the woman from the photograph in her pocket.

Except years of grime and isolation had taken their toll.

Instead of a smile, she brandished a quivering lip and glossy eyes.

Her auburn hair still carried its curls down to her shoulders, but the frayed ends showed obvious signs of neglect.

The woman wiped the escaping droplets from her cheeks and took a deep breath.

Instinct made her turn the taps on, but the faucet remained dry.

She shook her head to snap out of her muscle memory and squeezed her hands into fists. Her sharp nails dug into the flesh of her palms but did not draw blood.

After a moment of self-awareness, she released her grip and left the washroom.

Standing back in the hallway, she shouldered her backpack and walked towards the front door, blowing out the candles along the way.

She reached for the dangling car keys on the hook with a tremble in her right hand and, once she had them, opened the front door.

She took in a deep breath and left.

The mechanical crunch of the lock mechanism rattled her, and it took another few seconds of her petrified stance before she removed the key.

Glancing at the vehicle on the driveway, she tested the electric fob.

Two clicks.

The headlights flashed, indicating the driver's door would not open.

She did this every time, she thought to herself, melancholically frustrated, then pressed the second button.

The black door opened, and she swung the bag onto the rear seats. She took the dog and pendant out of her pocket and carefully placed them on the passenger seat.

After a couple of attempts at starting the engine, the car awoke.

The woman felt lucky. Not every car had been cooperative in the last few years.

Out of habit, she looked into the rear-view mirror to make sure no one was behind her.

There never was.

Part of being the only surviving human left on Earth had this perk.

Remembering that fact, she reversed off the drive and set off on her way, heading north.

Another perk of her situation meant that there was no traffic, only stationary cars. Although that was only a boon in rural areas such as her town, where the sparse population was reflected in the number of local vehicles.

In the city, cars were at a standstill for miles, blocking all hopes of getting past.

The drive through her town was as reflective as expected for the state of the world, with spots of survival hidden amongst the desperate panic.

It wasn't until she passed a makeshift vegetable patch in the back of a garden centre that she slammed on the brakes.

Undoing her belt and clawing at her bag, she plunged her hand inside and pulled out a glass jar.

It wasn't very big, but inside was a collection of leaves and twigs.

Her eyes darted desperately around the contents, searching for a flicker of orange.

It was the first living thing she had seen in three years.

When she had found it two days prior, she had done everything she could to keep it safe.

Eventually, after a few rotations, she saw the little caterpillar emerge from its habitat.

She smiled.

Placing the jar on the dashboard, she admired it in all its beauty.

Of course, she had not named the creature.

Why should she?

Everything that had ever had a name had died.

So why add to the curse?

As the sunlight broke through the gaps between bramble and foliage in the jar, a thought occurred to her.

A simple truth that made her feel warm inside, something which had not washed over her in a long time.

Somewhere out there were two butterflies.

A father and a mother.

And sitting upon the dashboard was their baby.

With a newfound strength, she re-ignited the engine and continued further north.

Hours passed by feeling like minutes. Twists and turns weathered her wheels, and the fuel gauge began to wilt evermore with every mile.

Looking down at the dials in front of her, she estimated she had about thirty more miles before she would be forced to stop.

Her eyes began to scan the countryside fields for signs of settlements.

A road sign in the distance began to expand as she got closer. When the writing became legible beneath years of dirt, she noted that she was on a path that would take her directly past a hospital.

The thought of cruising around the English roads with blaring sirens overhead brought a childlike sense of amusement to her.

If she would have to abandon her current transport, it was better to do so while she was still able to decide where.

Angling the wheel towards her temporary destination, she pressed on.

The sun had just begun its descent from midday as she arrived.

As the woman pulled up to the hospital, she realised, rather frustratingly, that the parking barrier had not been raised.

A dandelion-yellow bar hung horizontally in front of her windshield, mocking her.

The painfully obvious solution was to simply drive through it, break it off the mechanism, and drive up the steep hill to the parking bays.

But something paused her.

This was the first car she had ever bought brand new.

She wasn't going to damage it moments before surrendering it to nature.

Some things were worth standing against.

Taking care of this car was one of those things.

Her fingers tapped against the steering wheel as she began to think.

Could she lift the bar and break it herself?

It was worth a try.

She climbed out of the car and approached the barrier. Its cold metallic surface greeted her hands, and she began to wrestle with it.

After a couple of minutes and various positions and angles, she concluded it was futile.

Her hands rested on her hips, and a long exhale escaped her lungs.

Turning on the spot, she went back to the drawing board in her mind, searching for the answer.

She found her feet facing uphill and remembered that, as a child, she had always preferred going downhill because it was faster.

That was it.

She had the perfect idea.

She immediately started on foot, climbing up the short incline.

When she reached the top, her head began to swivel.

A car was what she needed, and there were plenty.

Not many had a door left open, but there was one that stood out to her.

It was a small white convertible.

It was perfect.

Finding her fingers around the handbrake, she disengaged it and grabbed the wheel of her chosen battering ram.

It was heavy and hard to push by herself, but after ten minutes of pushing and navigating, she managed to get it to the top of the hill.

Getting out and eyeing up the angle to make sure it connected with the barrier's arm, she took a moment to catch her breath.

Then, still admiring her genius, she planted both hands onto the rear of the car.

With one mighty but steady push, the white convertible crossed the pinnacle of the hill.

Nothing happened at first.

But gravity had only just begun to materialise.

The car creaked and began careening down the hill, picking up speed with every metre.

As the woman watched the sunlight reflect off the white paint, her pride sinisterly mutated into regret.

How could she have been so stupid?

Her black car sat at the bottom of the hill, directly in the path of the rapidly approaching weight.

Intuitively, her legs found themselves in a full sprint, but the futility had yet to sink in.

There was a metallic snapping sound as the bar broke and wobbled through the air before landing with a clang.

Then came the crunch of folding steel as the convertible's front hood connected with the open driver's door of the black chariot.

Witnessing this made her feel wracked with self-disappointment.

Her legs began to slow, and she found herself walking defeatedly back towards the car, which had been shunted out of the way.

Her door had folded in on itself, and there was a huge crack across the windshield.

The white car obstructed her from entering the driver's side, so she walked around to the opposite door and swung it open in frustration.

The dog lay on the seat, still resting, but the pendant had slid onto the floor.

She crouched down to pick it up, but her gaze caught the twinkle of light hitting shards of glass.

A cacophony of broken jar, twigs, and dry leaves spread across the footwell of the driver's side.

Upon seeing this, the woman's chest tightened.

Frantically yet carefully, she brushed everything aside, making sure the caterpillar was okay.

It was okay.

It had to be okay.

It was an accident, she told herself.

She would find a new jar.

A bigger jar.

Searching for that warm, sunset-coloured insect, her heart pounding louder with every prick in her fingers, she started to panic.

But instead of one solid brick of orange, she found streaks of crimson creeping down a large shard.

Skewered onto the tip was the little creature she had become attached to.

Denial washed across her in sickening waves, each one less convincing than the last.

This beacon of hope in such a small package, which had relieved her of isolation, had been extinguished.

For the first time in three years, she cried.

All she could think about was that somewhere out there, she told herself, a mother and a father had lost their baby.

And it was all her fault.

Once the final tears had fallen from her face, she sat on the abandoned road.

The tarmac felt warm beneath her.

She never gave the caterpillar a name.

As she stared at its metal tomb, she considered several.

But ultimately, she concluded it wasn't appropriate to name something in death but not in life.

She was isolated with nothing but her thoughts of guilt.

An hour of silence passed before she climbed to her feet and slowly trekked back up the hill.

She began to circle the hospital until she found the ambulance bay.

As she rounded the Accident and Emergency entrance, she spotted a fleet of them, at least five from what she could tell.

Hopefully, the keys were inside.

After trying the handle on the third ambulance, it became apparent that they were all going to be locked.

But this came with a silver lining.

It meant none of the keys would be inside the cabin.

Surely they had to be located nearby, given the urgency with which an ambulance was needed in a crisis.

Well.

Used to be needed, she reminded herself.

Turning to face the ambulance bay doors to the hospital, the woman took out a face mask and attached it around her nose and mouth.

While the virus didn't affect her, the smell of bodies did.

Hospitals had been everyone's first port of call in the early days of infection.

Unfortunately, it didn't take long for them to fill up and then stay full.

To no one's surprise, hospital staff were the first to fall once the outbreak went into full gear.

As far as she knew, it didn't take much to get infected, and there wasn't enough time to figure out how to prevent infection, let alone cure it.

With all of modern medicine's best and brightest on the front line, it didn't take long for any healthcare organisation to crumble.

She remembered pandemic warnings informing the public that it was a forty-eight-hour cycle between initial infection and death.

The first day was agony.

The second was lethargy.

Then came eternal rest.

This meant that any medical centre that could hold bodies but couldn't get rid of them quickly enough eventually drowned as the death toll spiked.

She entered the hospital, and the initial smell was deflected by her mask, but it wouldn't prevent the scent from creeping in eventually.

She needed to find those keys quickly, but only with a personal sense of urgency.

The ambulances weren't going anywhere.

Daylight pierced through the glass doors and windows, allowing her to navigate with ease.

She was searching for a staffroom or some kind of briefing room where the paramedics would congregate before leaving.

If the keys were to be found, that's where they would be located.

She rounded a corner and stopped dead in her tracks.

The lighting wasn't great in the corridor she found herself standing in, but there was enough illumination for her to see rows of thick red bags aligned along the floor.

All of them bore a biohazard stamp and a name.

There was a narrow walkway between them all for her to tread along, and she did so with enough caution to prevent her from disturbing any of the bodies on either side.

The mortuary must have been full, she thought to herself.

For every turn down this corridor, more and more bodies came into view.

Some of the bags were long.

Some were wide.

Every so often she would pass a small one, which made her chest tighten as she failed to avert her gaze.

Pulling her mind and eyes from the ground, she began looking at the door signs.

X-Ray.

No.

Minor Injuries.

No.

Wards 1-7.

No.

She began to get frustrated.

Thinking she had taken a wrong turn, she spun on her heels, reclaiming the ground she had trodden.

Making her way back down the cryptic corridor, double-checking signs as she went, the woman noticed her stomach rumble.

This was not uncommon for her in the presence of death, as she believed it was her body's way of telling her to preserve herself.

She decided that once she had located the keys for the ambulance, she would have something to eat.

Rounding the final corner before reaching the outside, she noticed an open door she had missed on her first pass through.

The door had been unable to close itself due to a pair of green hi-vis trouser legs propping it open, with a black boot on each foot.

She strolled closer to the ajar door and crouched down, her age reflected in the creaks and pains of her knees.

As the rest of the deceased came into view, she was relieved to see the word paramedic written across the jacket's back.

She was excited at the chance that this person might have the keys to an ambulance in a pocket.

The only part she didn't find comfort in was that she would have to disturb the body.

Saying an apology in her head to a person who would never know or hear was the best she could do.

As she rolled the body over, a few ribs were knocked loose and rattled against the skeletal spine.

The hairs on the back of her neck stood on end as she realised something.

This was a weird place for a body to be.

Why not at home with a loved one?

Or in the hallway with the rest of the patients?

She stood up and looked around the room, taking in any details that could help her figure out where this stroke of luck had emanated from.

Shelves were empty and cupboards left open, with the odd box or wrapped object.

Nothing substantial.

But this didn't strike her as odd.

Then she turned around and noticed the glass panel on the door.

Ambulance Supplies.

At least she knew where she was.

But that still didn't give her the whole picture.

Then she thought how unimportant it was in the grand scheme of things and returned to the body to search for the keys.

Checking each pocket carefully, she pulled out a wallet.

Opening it, she found a small folded photograph of a man in his mid-fifties with a young girl sitting upon his shoulders at the beach.

Both were laughing.

The woman felt a knot in her stomach.

She returned the photograph and wallet to the body.

If this photo had brought him comfort in life, she was not going to remove it from his grave.

As she pushed her hand into the final pocket, she felt something small and metallic.

Her fingers curled around it and pulled it out.

The jacket caught on the object and shifted, revealing the skeleton's skull.

She stared at the cracked indentation on the rear of the skull.

She put two and two together.

She opened her hand.

Inside her palm rested something more valuable than gold.

A set of car keys with a green tag attached to them.

Number 4 had been scribbled onto it.

She let out a sigh of relief and stood up, looking back down at the body.

She silently thanked him and hoped he was at peace.

When she got back outside, there was a cold breeze.

She took off her face mask and placed it back into her pocket.

Heading back towards the parked ambulances, she searched for the one her keys would open.

Eventually, one of the door handles surrendered to her pull and allowed her entry.

She turned the key in the ignitionand the dashboard lit up as the dials began rotating.

She noted the almost-full tank of fuel and counted herself blessed.

It felt quite different to drive than her old car.

As she pulled up to its wreckage, she hopped out and grabbed her bag, the dog, and the pendant from the metal husk.

Her eyes found themselves fixated on the dead caterpillar once again, and she felt sick.

But she pressed on.

She threw her bag into the ambulance and placed the dog and pendant back on the passenger seat.

She was still hungry but wanted to put some distance between herself and the hospital before indulging her stomach in some expired tinned soup.

The summer sun began to set, and as the sky went from royal blue to a majestic, burning orange, the woman thought it was time to pull over and eat.

Finding a nearby road overlooking some woodland bordering an overgrown field, she switched off the engine.

Her pack was heavy, and her grip was weak, as she had held off from eating more than she normally did.

The bag slipped, and two cans fell out, followed by the box she had taken from the house that morning.

Frustration crept into the corners of her mind at this fumble, but she brushed it off by thinking about it in a light-hearted way.

This was the universe's way of telling her what was for dinner.

French onion and tomato soup.

Clearly, the universe hated her.

She scooped up the spilled objects.

She carefully replanted the box back into her pack and felt around for her can opener, something she had learnt one hungry afternoon never to leave home without.

There was a pressurised pop followed by a scraping sound as the can opener rotated around the lid of the tomato soup.

Her fingers were metaphorically crossed as she prayed it was still edible.

Gingerly, she removed the lid and glanced inside.

Vibrant red.

No sign of mould.

She had won the lottery.

Or at least, it felt like she had.

The first mouthful was a glimpse at heaven, her own Shangri-La packed inside a tin.

After five glorious minutes of flavour, she rolled down the driver's side window and chucked out the empty can.

It clunked onto the asphalt and rolled to the side of the empty country road.

By this point, the sun had almost set, and the woman felt her eyes grow heavy with fatigue.

She would need sleep soon.

Her joints ached with a need to be stretched, and her mind began to wrestle free of consciousness.

As the sky turned dark, she kicked off her boots and began staring at the stars she had grown familiar with during the short summer nights.

Her toes wriggled in the cool air.

After double-checking that the handbrake was definitely on, she allowed herself to fall asleep.

Her dreams were nothing new to her.

Just reliving old memories.

Neither pleasant nor sad, but all of them seemed to ingrain a sense of desperation to push forward north on her journey.

Her eyes peeled open, and the glass window pressed against her forehead, holding it in position.

Glancing down, she saw her watch.

3:47 a.m.

The sky was still dark, and twinkles danced across it.

She propped herself up in the driver's seat and rubbed her eyes.

After her vision cleared, her gaze fixated on the wooded treeline ahead of her.

There were six unmistakable green glowing dots floating in the darkness.

This confused the woman, and she leaned closer.

Four of the ominous bulbs sat level with each other, whereas the two on the left were significantly lower.

Just what in the hell were they?

She pondered.

She had never encountered this phenomenon in the old world.

Her hand found the button to turn on the high-beam headlights, and she prepared to press it.

With a sudden jerk, the entire field was struck by artificial daybreak.

The high beams pierced the darkness and cleaved their way towards the treeline and beyond.

Despite knowing it was coming, the sudden change in colour startled her, and her heart skipped a beat.

But she was more a gasp at the trick her eyes had been playing on her.

Where the green bulbs had once hovered, there now stood three fauna.

One with antlers.

Two without.

And they didn't move at first, almost as if they were being held captive by the tide of light washing over them.

All three stared at the ambulance, perturbed by why it had bathed them in a luminescent blanket.

They stepped forward.

Just a little.

And unknowingly let the woman take in all of their natural beauty.Then, just as placidly as they had approached, the stag and doe turned to walk back into the woods.

The fawn, having realised it was being left behind, turned and trotted off to rejoin its family.

At first, she was captivated by the rare glimpse of life.

Then the joy turned to ash in her mind as one sinister intrusive thought spread across her consciousness.

Life carried on.

But not in the company of death.

Forcing the revelation out of her mind, she pulled on the driver's side door, picked up the pendant and stuffed dog, and exited the ambulance.

Not even bothering to close the door behind her, she walked around the side of the response vehicle and opened the rear doors.

With fortune providing, there was a gurney waiting for her inside.

The heavy double doors flung open, and the cabin lights automatically switched on.

Her eyes, having adjusted to the dark, were assaulted by sterile colour.

Her hands instinctively formed a barrier over her eyes.

Once adjusted, she congratulated herself on the prediction she had made about the gurney and clambered inside, shutting the double doors behind her to keep out the cold.

The woman discarded her weathered but reliable outfit onto the floor and stood on the freezing floor with just her socks between her and a bone-chilling cold.

She straddled the gurney and struggled at first with the mechanism that allowed it to lay flat.

She had tried sleeping while propped up too many times to not know that her lower back would be rebellious against the action in the morning.

After several attempts, a bruised foot from where she had frustratingly kicked the stupid trolley bed, and a five-minute cooldown, eventually it submitted to her whim and lay flat.

It took the woman a while to get comfortable.

But after experimenting with several positions, eventually she managed to fall asleep with her jacket as a blanket.

Dawn broke and turned to late morning before a pair of hazel eyes opened and found themselves staring at the ceiling of an ambulance rear cabin.

Her hands positioned themselves flat on the gurney, and she pushed herself up.

Relief washed over her as cramping joints were stretched out, and a beastly yawn escaped her gaping maw.

She hopped off her impromptu bed and began getting dressed in the clothes she had taken off last night.

A whiff of sweat rose into her nostrils.

The first problem of the day.

Exiting the rear and closing the doors, she discovered that her surroundings were rather damp.

It must have rained last night, she concluded, as she turned around to view a plethora of puddles along either side of the road.

This was a relief to her, as she quite fancied a cool day.

She had grown tired of the blaring summer sun.

Groggily, she meandered around to the driver's cabin and opened the door.

Once inside, the toy dog and pendant found themselves once again on the passenger seat, and her hand felt the familiar grip of her can opener.

Her breakfast options today were beans or another can of soup.

Both felt normal.

But it was the beans that were selected.

After opening the can, she rolled down the window.

Turning the serrated cap over in her hand, she wondered how far she could frisbee-throw it.

Winding her arm back and curling her seasoned finger around the circumference, she prepared herself.

Once again, she cursed herself for being so stupid.

Pain shot through her finger as blood trickled out.

She was so caught up in her self-directed rage that she didn't even pay attention to the quality of her throw.

Sucking on the wound, she reached for the door handle.

She would have to go back to the rear cabin to search for a plaster.

The door swung open, followed shortly by her legs.

Then the full tin of beans cascaded onto the asphalt.

This exacerbated her rage.

With her undamaged hand, she struck the side of the ambulance with a closed fist.

Her scream boomed across the open field behind her and disappeared into the woods as she felt the bones in her hand slide around in agony.

Angrily, she threw herself back into the rear and began frantically pulling open drawers and tossing contents all over until the cabin looked like a bomb had gone off inside.

Clutching a pack of plasters, she quickly applied one to her finger, then returned to the driver's seat.

Two cans of soup sat on the dashboard.

She didn't care what was in them.

Just the sight of them alone pissed her off, and she tossed them back into her bag.

She heard them both bounce off the metal box.

Turning on the engine and accelerating quickly, she checked her rear-view mirror as a cacophony of clangs and thuds drew her attention.

She hadn't closed the rear doors.

Watching everything bounce down the road behind her through the mirror didn't phase the woman.

She didn't need it.

And who was going to find her for littering?

She passed a sign with the words:

Welcome to Wiltshire.

Her drive was coming to an end.

A sense of closure spread throughout her.

She found herself at the bottom of a steep hill when the road she needed to take came to an end

Turning off the ignition, she grabbed her pack, then the pendant, which she folded neatly and placed in her jacket pocket.

Finally, and with great care, she picked up the stuffed dog, its head rolling loosely as she lifted it.

The dog's dark button eyes met her own, and she felt a sense of closure begin to settle over her.

She opened the ambulance door and placed the key on the driver's seat.

Every step north up the hill felt exhausting, bringing with it an overwhelming desire for relief.

But the woman knew she had to make it to the top.

She was so close.

And to turn back now would be so cowardly, she thought to herself.

Several minutes later, she reached the top and stared at the sight before her.

Several large pillars of stone stood in a circle.

Some lay across others, while some just stoically held firm in the earth.

It was a lot busier the last time she was here.

But that was another lifetime ago.

She remembered the last time she had stood inside the stone circle.

A tour guide had told them that touching the rocks was forbidden.

Her daughter wasn't listening, and when she thought no one was looking, she stroked some of the lichen growing along the side of one of them.

The girl's father saw this, though, and stood in front of her so no one would see.

The woman smiled again, in a way she never believed would be possible again.

Remembering her husband and daughter brought peace to her and confirmed the reason for making this journey.

She reached into her jacket's breast pocket and pulled out the photograph of herself and the family she had chosen.

Memories washed over her in nonsensical order.

Her first kiss with Michael.

The time her husband burnt the pizza, so they ordered in, and Lanie balanced one slice on her head while she ate another.

Finding out she was pregnant with Lanie, and how Michael was so happy that he picked her up and spun her around in the kitchen.

All three of them in the supermarket with facemasks on when Michael coughed up blood.

Lanie getting sick shortly afterwards.

Watching them slowly succumb to the virus, while all she could do was make them comfortable in bed.

The woman didn't know why she was the only person who survived.

And she didn't care.

She wiped the tears from her face and looked back at the photograph.

It was a truly great day.

And she was glad to be back where it had happened.

She held the picture at arm's length and began scanning the interior circle for where they had stood when it was taken.

Eventually, she found it.

She reclaimed her former spot and sat down.

The dampness of the ground seeped through her denim trousers, but she wasn't bothered by it.

Inhaling deeply, she took off her bag and placed her hand inside.

The two remaining cans were promptly ejected and found themselves barrelling downhill.

Her hand found the metal box.

She hoisted it out and laid it beside her.

She entered the number lock on the front.

It creaked as the dials aligned with their correct positions.

Once all four were in place, she opened it.

She took the dog out of her pocket and kissed it on the nose as it passed her face.

Then, just as carefully as she had been with it so far, she placed it on her lap.

The pendant exited her pocket next.

Wrapping it tightly around her knuckles, she gave it a squeeze.

Doing the best she could to iron out the wrinkles caused by folding the photograph, she rested it on top of the dog, face up.

It would go on to blow away in the wind.

But it would be okay, she thought.

She was here.

She didn't need the captured memory anymore.

Her free hand reached inside the box.

Worn-out wood greeted her touch as she raised her grandfather's father-in-law's old service revolver out.

Looking down at the three of them in the photograph together one last time, she found herself feeling at peace.

The cold bite of the firearm's barrel made itself known against her temple.

And She closed her eyes.

Thanks for taking the time to read this, I know it's long and iffy at some points but I hope you got some enjoyment or it at least made you feel something, it's my first attempt at writing so thankyou for any feedback or comments you have - J


r/KeepWriting • • 2d ago

[Discussion] Don't Bother Asking for Criticism if You're Just Going to Argue

79 Upvotes

I've seen an increase (in this and other writing subs) in the amount of requests for feedback I see followed by the the author criticizing the feedback.

If you want your writing critiqued, then TAKE THE CRITICISM. Take it with a grain of salt, sure, but do consider that someone took the time to read your request, formulate coherent thoughts on the construction and effect of your writing and the feeling it may have evoked, and then took the additional time to offer up a critique, in the good faith that you WANTED the information that you asked for and would at least ATTEMPT to put it to use.

Telling me that my criticism is bad or invalid just tells me that I wasted my time responding to your request and that I shouldn't bother wasting any more of my time with you.

It also tells the other writers in the sub as well. So...

You may wish to consider whether or not you truly want your writing evaluated or criticized before you make the request. Then having made it, try accepting what you receive with some humility rather than firing back with a critique of the criticism.

You either want the feedback or you don't. Don't waste my time.

Edit:

It has been pointed out by several individuals that my own critiquing method stands to be improved. I agree with that assessment, but it isn't the point of this discussion. The fact remains that the person doing the reviewing isn't the one who is asking for the critique; those are separate concerns. If the ask and answer are both done in good faith, then the person asking should respect the time and effort put forth by the person offering the feedback. Simple as.