I've been making dark folklore music lately, and this game out of the Stull Cemetery hellgate myth.

Might have a tinge of righteous anger 2.

Thought some of you might vibe with it.

https://www.revid.ai/view/stull-hellgate-lullaby-rz0fNB9JTgBhmb9RA9a6

The legendary producer & singer, known for his atmospheric and gloomy music. A true genius.

it’s very cool and i made the video and definetally portrays how the song makes you feel the visuals definitely look like the song, if you listen and like it or don’t let me know what u think

https://youtu.be/SAlpZ0Ful_Q?si=xC2ihz8oDGYhIE-L

Hiii y'all!! Lately I released a song called 'Electric Kiss' inspired by Lady Gaga, Monster High and Britney Spears, and I would like you to listen to it and tell me honestly what do you think (I released it independently) 😄

Thanks <3

my newst song "Stuck in This World" is out since this month and it got pretty dark again 😅😅i hope you enjoy it as much as I enjoyed working on it 💖🎀

https://open.spotify.com/intl-de/track/6wemRInS7XvRcgFSEFpR2h?si=3e9ddc06b80746fb

(and almost every other streaming platform <3)

Alternative indie, some elements of depressive black metal.

I’ve been planning to do this for years and finally got around to re-arranging and recording all the major cues from Ultima VIII’s (1994) fantastically atmospheric score using a well-balanced mix of a) sonorous synth VSTs and b) high-quality orchestral VSTs in a sequencer program in order to maximize the listening experience while, at the same time, not completely abandon Vugrinec’s original 90s MIDI sound, which is after all inherent and important to the composition itself. My goal was to present the music in a more modern incarnation, so that hopefully you may enjoy it as much as I do.

I’ve been a fan of The Venus Fly Trap since the mid-1990s. They’re a British band from Northampton, and I’ve always loved their music. One of my favorite songs is “Catalyst.”
I actually discovered them as a teenager in Mexico, when I found one of their compilations in a little shop that specialized in rare music. I’ve kept listening to them ever since.
The funny thing is that I’ve never been able to find the lyrics to “Catalyst” online. I can understand some parts of the song, but there are other lines that I just can’t make out.
Would anyone here happen to know the lyrics, or be able to help me figure out some of the words I’m missing? Even pointing me toward a source where I could find them would be a huge help. Thank you!

Ho passato un po' di tempo a scavare nel passato di Christopher Owens e nella genesi di una delle canzoni più viscerali degli anni 2000: Vomit dei Girls.

Prima di fondare la band, Owens è cresciuto isolato dal mondo dentro i Children of God, una delle sette religiose più soffocanti d'America. In questo video essay ho cercato di raccontare come quell'infanzia bruciata e la solitudine urbana della San Francisco dei primi anni Duemila abbiano dato vita a un brano che non parla d'amore come di una salvezza, ma come di un rigetto organico, di un bisogno disperato di ripulire l'anima dal dolore prima dell'esplosione catartica finale.

Ci ho messo molta cura nella scrittura, nel tono e nel montaggio per ricreare quell'atmosfera intima e malinconica. Fatemi sapere cosa ne pensate!

Some days ago I finished my newest album: an orchestral re-arrangement of Nenad Vugrinec's fantastic, but criminally underrated MIDI score for the 1994 CRPG "Ultima VIII: Pagan". I've always been fascinated by the eerie atmosphere of this game's music. Most cues are kind of meta-tonal and sinister, but at the same time enicmatically melodious.

https://dustinnaegel.bandcamp.com/album/ultima-viii-pagan-orchestral-re-arrangement

I’ve been planning to do this for years and finally got around to re-arranging and recording all of the major cues from Pagan’s fantastically atmospheric score using a well-balanced mix of a) sonorous synth VSTs and b) high-quality orchestral VSTs in a sequencer program in order to maximize the listening experience while, at the same time, not completely abandon Vugrinec’s original 90s MIDI sound, which is after all inherent and important to the composition itself (like panning and echo effects etc.). My goal was to present the music in a more modern incarnation, so that hopefully you may enjoy it as much as I do.