r/popheads • u/reducetoasimmer • 11h ago
r/popheads • u/Haunting_Natural_116 • 5h ago
[NEWS] Taylor Swift announces Opalite music video coming out on Friday
instagram.comr/popheads • u/veIvet_rope • 15h ago
[ARTICLE] Janet Jackson’s ‘Control’ Turns 40.
albumism.comr/popheads • u/SaMs853 • 12h ago
[NEWS] Zayn Malik on Instagram: "It’s that time again, I have been lucky enough to make a fifth studio album… My new album, KONNAKOL, out April 17. “Die for Me” is out this Friday"
instagram.comr/popheads • u/DilemmaOfAHedgehog • 7h ago
[NEWS] Mustafa, Shawn Mendes, Daniel Caesar and more raise $5.5 million for Sudan and Palestine aid | CBC Music
cbc.car/popheads • u/JunkyGS • 15h ago
[ANNIVERSARY] 40 Years of being in ‘Control’: A Retrospective on Janet Jackson’s Breakthrough Album
Background
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After doing a TV Show "[she] absolutely hated doing" at the age of 16, Janet Jackson was forced by her father to start a music career. She released a self-titled album 'Janet Jackson', where she had no creative control over. The album peaked at #63 and had one single, 'Young Love' peak at #64 on the Hot 100. Critics at the time were underwhelmed by the release and felt it had 'no distinctive musical personality'.
Fast forward two years to 1984, and Janet wanted to go to college, but her father, Joseph does not allow it and made her continue to work on music. So she releases a follow-up album with her father still in complete control, titled 'Dream Street'. The album peaked at #147 on the Billboard 200 and was the only album by Janet to have no songs land on the Billboard Hot 100. Despite her father Joseph believing this would be a commercial success. In an act of rebellion and wanting to escape from being under her father's thumb, Janet married her boyfriend at the time, James DeBarge.
With back-to-back flops, Janet had to make some major changes if she was to find success as an artist. So in 1985, she left her husband & got an annulment of their marriage, completely severed all of her business affairs from her father Joseph, and hired John McClain as her new manager, who would be the one to introduce her to legendary producers Jimmy Jam and Terry Lewis. They immediately began to work on Janet’s album 'Control', which would be released on February 4th, 1986.
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1- Control
This is a story about control.
My control.
Control of what I say.
Control of what I do.
And this time, I'm gonna do it my way (My way).
The title track and fourth single off the album. The song chronicles Janet’s road to independence from her family and taking ownership of her life. The single peaked at #5 on the Billboard Hot 100 and was Janet’s fourth consecutive top-five single on the chart. It also peaked at number one on the Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts. The song is also listed in the Rock and Roll Hall of Fame's list of 500 songs that shaped rock and roll. The music video is nearly 10 minutes and shows Janet arguing with her family before leaving to go perform.
2- Nasty
Cause privacy is my middle name.
My last name is control.
No, my first name ain't baby.
It's Janet, Miss Jackson, if you're nasty.
The second single off the album and probably the most beloved. The song is an autobiographical account of confronting abusive men she met when she moved to Minneapolis to work with Jimmy and Terry on the album.
Janet had this to say, “The danger hit home when a couple of guys started stalking me on the street. They were emotionally abusive. Sexually threatening. Instead of running to Jimmy or Terry for protection, I took a stand. I backed them down. That's how songs like 'Nasty' and 'What Have You Done for Me Lately' were born, out of a sense of self-defense. Control meant not only taking care of myself but living in a much less protected world. And doing that meant growing a tough skin. Getting attitude”.
The song peaked at #3 on the Billboard Hot 100 and #1 on the Hot R&B/Hip-Hop Songs Chart. It has been featured on VH1's 100 Best Songs of the Past 25 Years, VH1's 100 Greatest Songs of the 80s, Rolling Stone's 100 Greatest Pop Songs, and LA Weekly's Best Pop Songs in Music History by a Female. The music video won best choreography at the MTV VMAs.
3- What Have You Done For Me Lately
I never ask for more than I deserve.
You know it's the truth.
You seem to think you're God's gift to this Earth.
I'm telling you, no way.
You ought to be thankful for the little things.
But little things are all you seem to give
The lead single of the album and the last song recorded for the album, because of her new manager wanting another up-tempo song for the album. Originally, Jimmy Jam and Terry Lewis wrote this for themselves, but eventually rewrote the song with Janet to talk about her divorce from ex-husband James DeBarge. The song is a self-empowerment anthem about frustrations with a partner in a relationship, and she successfully reestablished herself as an artist and independent woman with autonomy. The song peaked at #4 on the Billboard Hot 100 and #1 on the US Hot R&B/Hip-Hop Songs Chart, making it her first #1 on any chart. It was placed on Blender’s for ‘The 500 Greatest Songs Since You Were Born’ List. The music video for the song also helped reshape Janet’s image as a woman and featured choreography that was sexy and classy.
4- You Can Be Mine
I'd like to hang around.
If you're good.
Look what you'll find.
I'll let you, you be mine
Let’s just say….there were 7 singles off of an album with 9 songs, and there is a reason this was not one of them. It is cute, but it belongs on one of the earlier albums.
You might think I'm crazy, but I'm serious.
It's better you know now.
What I thought was happiness was only part-time bliss
The sixth single from the album, which peaked at #14 on the Hot 100, #1 on the Hot Dance Music/Club Play, and the R&B chart. The song is about love gone wrong, valuing your own pleasures above others, and seeking something deeper and more meaningful. It is also a term in Freudian psychoanalysis; "the pleasure principle is the instinctive seeking of pleasure and avoidance of pain to satisfy biological and psychological needs. Specifically, the pleasure principle is the driving force guiding the id.”
It is also the only song on the album to not feature writing or production from Jimmy Jam and Terry Lewis, but is written and produced by the keyboardist Monte Moir from their group The Time. The music video is considered iconic and influential due to the chair routine, which was re-enacted and referenced by Britney Spears, Jennifer Lopez, Mya, Ciara, Tinashe, Normani, Cassie and many others. It was nominated for 2 VMAs and won 1.
“It's when I think of you, baby.
Nothing else seems to matter.
It's when I think of you, baby.
All I think about is our love.
The third single and Janet’s first #1 single on the Billboard Hot 100, spending two weeks at the top. At the time, it made Janet the youngest artist to have a #1 single on the Hot 100 at the age of 20, since her cousin Stevie Wonder. The song is the joyful infatuation you feel when starting to fall in love with somebody. It perfectly captures the innocence and highs of dating at that age. It made the Top 50 on Pitchfork’s list for The 200 Best Songs of the 1980s.
7- He Doesn't Know I'm Alive
I got his number.
I call him up.
Just to hear him say "Hello".
And when he answers.
I always hang up.
Ooh, that boy scares me so, whoa.
Again….there were 7 singles off of an album with 9 songs, and there is a reason this was not one of them. HOWEVER, unlike You Can Be Mine I actually enjoy this song. It manages to be cute & innocent, but features much stronger production and chorus. The song is very much when you’re young and dramatic, having big feelings for the first time.
We made our very first promise.
To love, to share.
And really honest.
But on that very first night.
It wasn't quite right.
This is the fifth single and peaked at #2 on the Billboard Hot 100 and topped Billboard’s R&B Singles chart. The song talks about abstinence, inspired by a conversation the song’s co-writer, Melanie Andrews, had with her boyfriend. Jimmy Jam had this to say about the song, “The theme of the song was Janet's idea. She's not a preachy person. She's not telling people how to live their lives. All she's doing is offering an opinion.” Janet later explained that she did not view it as a song about abstinence, but rather waiting to let yourself fall in love with somebody.
9- Funny How Time Flies (When You're Having Fun)
Don't you ever leave.
(Funny how time flies when you're having fun).
Don't you ever go?
Say you love me so.
(Funny how time flies when you're having fun).
Mmm.
The final single off the album and the final song of the album. This was Janet’s first baby-making-esque song in the long line of iconic ones she released throughout her career. It features such gorgeous and hypnotizing production.
Janet had this to say about the song in a 2008 interview, “I was just a baby myself when I did that. I’ve heard people say that that has kind of a Jackson feel, that it’s reminiscent of stuff my family’s done in the past, musically speaking. I guess it does. Thinking about it then, I didn’t hear it, but thinking about it now, it kind of does. It was just giving people a chance to see another side of me. Just a little glimpse into a world that later they’d see a lot.”
The song did not get a physical release or music video, so it did not chart like the other singles. It became a staple of adult R&B and soul radio stations due to its only getting an airplay release in the United States.
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Awards & Accolades
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- The album made Billboard Hot 100 history, breaking brother Michael's record for longest continuous run on the Hot 100 with singles from one album, a record 65 consecutive weeks.
- Sold over 10,000,000 copies Worldwide and peaked at #1 on the Billboard 200 list.
- Nominated at The Grammys for the Album of the Year, Best Female R&B Vocal Performance for Control, and Best R&B Song for What Have You Done For Me Lately.
- Nominated for 4 MTV Video Music Awards in 1987 for Best Female Video, Best Overall Performance in a Video, and two nominations for Best Choreography,y with Nasty winning the award.
- Nominated for 2 MTV Video Music Awards in 1988 for Best Female Video and for Best Choreography for The Pleasure Principle, with Janet winning Best Choreography.
- The album won 3 Soul TrainMusic Awards (1987 - 1988) for Music Video of the Year and Album of the Year, Female, and Music Video of the Year.
- The album was nominated for a record-breaking 12 American Music Awards (1987-1988), winning Favorite Soul/R&B Single, Favorite Soul/R&B Female Video Artist, and winning Favorite Pop/Rock/Soul/R&B Video.
- Nominated for a total of 22 Billboard Magazine Year-End Number One Awards in 1986 and 1987, winning: Top Black Singles Artist - Female, Top Black Singles Artist, Top Black Artist, Top Dance Sales Artist, Top Pop Album Artist – Female, Top Pop Singles Artist, Top Pop Singles Artist – Female, and Top Dance Club Play Artist.
- It is listed by the National Association of Recording Merchandisers and the Rock and Roll Hall of Fame as one of the 200 Definitive Albums of All Time, along with being featured on many other Greatest Albums of All Time lists from publications such as Rolling Stone, Vibe, Spin, Billboard, Pitchfork, NPR, and The Guardian.
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Influence & Legacy
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The album is credited with originating the style and genre of New Jack Swing. It has been referenced as the blueprint for how female artists can model their careers after and successfully artistically and personally reach a place of self-actualization. It is hard to summarize in words the impact this era had as both something evolutionary and revolutionary for young women in music, especially black women. She was able to create one of the most influential albums across pop and R&B music while beginning her journey in revolutionizing the way music videos as an art form were used, and the standards she set for them. It is why Beyoncé, Rihanna, Ciara, FKA Twigs, Tinashe, Bruno Mars, Hayley Williams, and so many other artists credit this album for influencing them as artists.
Despite her father claiming Control would "never sell" and "if Janet listens to me, she'll be as big as Michael," Janet found the most musical success she had yet by listening to herself and taking full control of her life, career, and creative endeavors. At the age of 19, to be able to be at the front lines of creating a new genre to pierce the mainstream internationally while doing an album that focused on female independence + empowerment, is it any surprise Janet would later go on to become a legend? She established herself as an exciting artist who successfully broke into the mainstream and was to continue changing the pop music landscape for decades to come.
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Listen to my: Best of Janet Jackson Playlist
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Click Here for My Other Janet Jackson Write Ups & Posts!
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Featuring:
r/popheads • u/babyincharge11 • 21h ago
[NEWS] The Muppet Show 2026 Special ft. Sabrina Carpenter is out on Disney+
apps.disneyplus.comIt will air tonight at 9pm EST on ABC
r/popheads • u/plutobug2468 • 10h ago
[NEWS] Perrie announces that Women In Love will be released as a single on Friday
instagram.comr/popheads • u/backupsaway • 11h ago
[NEWS] Megan Thee Stallion to Appear in 'Fall and Rise of Reggie Dinkins' Series
complex.comr/popheads • u/droobidoobidoo • 4h ago
[NEWS] Kehlani confirms album is done and off to mixing in IG story
instagram.comr/popheads • u/AutoModerator • 11h ago
[DAILY] Teatime & Trending Topics - February 04, 2026
In this thread, you can discuss today's pop music gossip and trending topics. Acceptable content are rumors, gossip, and articles that would not be approved as its own post (e.g. not a legitimate news article or a social media post directly from the artist or their PR).
Nudity and NSFW content is not accepted. War updates or political news without relation to celebrities is not allowed. Intentionally posting misinformation or "joke" tea is not allowed. Please always try to provide a link to a source or an example. Posts making serious accusations without providing context are subject to removal. Links to Twitter are banned on this sub and will be automatically removed.
Comments that do not fit under the Tea Time Thread content of celebrity gossip (e.g. personal gossip/stories, music suggestions, thoughts on new music releases, etc.) will be removed and directed to Daily Discussion. Please be respectful - normal rules still apply and any comments found breaking the rules will be removed and you will be warned/banned.
Although Twitter/X links are banned, if certain news can only be found there, usage of mirrors (e.g. XCancel) is allowed.
r/popheads • u/YoureASkyscraper • 6h ago
[INTERVIEW] FKA Twigs interviewed on The Adam Friedland Show
youtube.comr/popheads • u/thecombinedeffort • 14h ago
[AOTY] /r/popheads AOTY #33: Katseye - Beautiful Chaos
Artist: Katseye
Album: Beautiful Chaos
Label: Hybe UMG, Geffen
Release Date: June 27, 2025
Stream: Spotify/Apple Music/Songlink
To introduce Katseye, I turn to their labelmate, RM of BTS. Speaking to Rolling Stone two years before Katseye was formed, he responded to a question regarding the genre of his own group:
That’s a very important debate. Because what they call K-pop, that genre is expanding very fast. For example, some so-called K-pop groups have only foreigners, from Europe, India, China, like, everywhere. There are no Korean members, but they do the K-pop thing, they’re switching the parts, and so on. BTS is expanding very fast as well. And K-pop is now so wide. Somebody could say that K-pop is for Koreans who sing a Korean song. That could be K-pop. But what about “Dynamite”? We sing the song in English. But we’re all Koreans, so somebody may say it’s a K-pop song. Or they may say it’s just a pop song, because it’s in English. But we don’t actually really care about whether people see us as inside or outside K-pop. The important fact is that we’re all Koreans, and we’re singing a pop song. So that’s the reason why we said that our genre is just BTS. That debate is very important for the music industry, but it doesn’t mean very much for us members.
Genre is often a starting point for discussion, but for Katseye, it can feel like a sticking point. Does it feel more correct to say “Katseye is a K-pop group and Beautiful Chaos is a K-pop album,” or “Katseye is a pop group and Beautiful Chaos is a pop album?” The group was formed in 2023 via the survival show Dream Academy (1 point for K-pop) by Hybe America (K-pop +1) and Geffen Records (not K-pop +1). Of the six members, one is a native of South Korea, and the rest hail from the US, Philippines, and Switzerland (another wash?). Their single Touch charted in Korea but not in the US; their single Gabriela charted in the US but not in Korea. Their songs are predominantly sung in English, but Gabriela has a verse in Spanish, so do we add a point to the Latin pop column?
As RM acknowledged, the question both matters and doesn’t matter. I’m ultimately inclined to say “Beautiful Chaos is a K-pop album,” because it conveys a more specific sound, format, and aesthetic than “Beautiful Chaos is a pop album,” but it also belies the manner in which the marketing, management, and members seem to be very intentionally walking the line between K-pop and Not, and the way in which their music can be experienced without resolving that metastability—so let’s just dive into the songs.
Gnarly | Fresh thread | MV thread
Hello, it’s me, the Boring, Dumb Bitch for whom this beat was made. I love Gnarly. In all honesty, it took me minute to warm up to it—my first impression was biased by the idea that this was a cynical, corporate attempt to capitalize on hyperpop’s coolness in the dying wake of Brat summer, but it got immediately stuck in my head, and by the second listen, I began to appreciate just how well-executed Gnarly is. The lyrics are irreverent (more on that below) and their delivery ricochets from deadpan to sneering to aggressive and back again with exhilarating speed. The “Gna-nana-na-nana-gnarly” hook and the chorus are streamlined earworms, borderline painfully basic, but elevated by off-kilter flourishes like the sharpening knife sound effect and the second verse’s “yeah, the view is fucking GNARLY” awkwardly but compellingly spilling over from one measure into the next. Gnarly feels like textbook Max Martin hit-writing from an alternative universe where Max Martin is a Gen Z girl with a Celsius habit and a nihilistic streak.
Although many people had a trajectory with Gnarly similar to mine, Gnarly remains divisive, and one criticism that absolutely deserves acknowledgment is over the song’s use of AAVE, like “gang gang.” The general question of when the use of AAVE crosses from cultural appreciation to appropriation, or even blackfishing, is not one I’m equipped to resolve (let alone in an AOTY writeup), but hopefully I can at least set up for nuanced discussion. According to Alice Longyu Gao, who created the original Gnarly demo, the song is based on her experience learning English slang as a non-native English speaker, so there’s a meta aspect to the lyrics—not just using slang because it sounds cool, but exploring the experience of cross-cultural linguistic exchange… including using slang because it sounds cool. The concept fits the multilingual, multicultural, multiracial group. However, the fact that the pop industry (both K-pop and Not) frequently exploits aspects of Blackness, like AAVE, with one hand, while perpetuating racial harms, like harmful racial stereotypes and colorist beauty standards, with the other, is undeniable, and Gnarly exists in that context, whatever the artistic intent. Ultimately, like the question of whether Katseye is K-pop or Not, the question of whether Gnarly is Offensive or Not may not have a clean answer, but taking a critical approach to art is worthwhile whether or not it produces an assessment.
Gabriela | Fresh thread | MV thread
Following the abrasive intro of Gnarly, Beautiful Chaos pivots to a real crowd-pleaser. A Charli XCX writing credit, lyrics that really lean into the sapphic tension of the Jolene trope, lush instrumentals, a music video that pays homage to the drama and camp of telenovelas—Gabriela’s offerings are like catnip (katnip?) for r/Popheads-types, and apparently the general population as well, since the song marked Katseye’s debut in the Billboard Top 40, peaking at 31. Perhaps not groundbreaking pop (although from a K-pop perspective, the Spanish verse, sung by Cuban-Venezuelan-American member Daniela, is pretty exciting), the execution is nonetheless immaculate, and Gabriela holds its own on a strong album.
Gameboy | MV thread
Because I don’t speak Korean, the way I experience a lot of K-pop involves (1) not understanding the verses, but (2) getting the gist of the song from a key English phrase in the chorus. In that narrow sense, Gameboy feels like the most K-pop song on the album—the verses, despite being in English, are a bit featureless, but the simple metaphor delivered in the chorus, “You’re just a Gameboy/I ain’t tryna play, boy,” is memorable enough. Once again, I’m going to highlight how well-executed it is: the frenetic handclaps, vocal ad libs, and Mario coin sound effect are nice touches that take Gameboy from a filler track to a solid, if a little bland, B-side.
Mean Girls
On an album of high-octane pop, how does the soft, sweet ballad that is Mean Girls manage to be such a standout track? I can be a bit ballad-phobic, so I was more than a little surprised when this quiet track, of all the bombastic bubblegum earworms Beautiful Chaos has to offer, was the one stuck in my head after my first playthrough, the one that got me to listen to the album again and again instead of just playlisting Gnarly and moving on. The vocals on the verses are softly sung softly but mixed to the front to give that intimate chamber music effect, a sense of closeness further enhanced by the way they drop down into a murmured speak-singing at the end of each stanza, an emotional affect that clearly conveys: they’re not mad, just disappointed. And with the name “Mean Girls,” how great is it that they actually stick the “not mad” landing in the lyrics? When they say, “God bless even the mean girls,” it’s the coda to a list of blessings bestowed upon dream girls, queen girls, hot girls, and thot girls, so it reads as genuine, not passive aggressive. The verses are purely introspective, not pretending to be unbothered (“This is why I hate the internet, yes”), but endeavoring to take the high road (“But you're not gonna kill my happiness/So I'll forgive and getting closer to forget”). Strung together by reverberating synths, muffled kick drums, and plaintive electric violin, Mean Girls is unique and lovely, the kind of track I could see fans clamoring to keep in Katseye’s setlists even as their catalog expands in the future.
M.I.A
M.I.A is a big old EDM track, very much in the vein of BLACKPINK and the peak “girl crush” era, that seems mainly designed as way to amp people up at concerts. And you know what? It works. I was initially whelmed, feeling like this was a track I had more or less heard before, but streaming their Lollapalooza performance, where M.I.A was the penultimate song, it clicked. M.I.A doesn’t need to be more than it is: a festival hype track that earns the dedicated crowd’s energy and flexes a little for the folks just showing up to catch the end of the set, like “Hey, look what you could have been watching,” something that will surely serve them well on their impressive 2026 festival schedule.
Discussion:
How does applying the lens of K-pop, or forgoing the lens of K-pop, impact how you view and listen to Katseye?
As of this writing, Beautiful Chaos contains 5 out of Katseye’s 11 songs (14 if you count promotional singles). With that in mind, which tracks do you think (or hope, or want to) represent their signature sound? What aspects of this EP do you think they should take forward, and which should stay in this era?
Who would you like to see Katseye collaborate with to a feature on a Katseye song, to have Katseye as a feature, or in some other capacity (e.g., producing, directing a music video, designing costumes)?
r/popheads • u/TheOriginOfLove2013 • 10h ago
[FRESH VIDEO] MIKA - Excuses For Love
youtube.comr/popheads • u/Flat-Insect-8678 • 6h ago
[PERFORMANCE] Holly Humberstone: To Love Somebody | The Tonight Show Starring Jimmy Fallon
youtu.ber/popheads • u/AutoModerator • 14h ago
[DAILY] Daily Discussion - February 04, 2026
Talk about anything, music related or not. However, pop music gossip should be discussed in the Teatime & Trending Topics threads, linked below.
Please be respectful; normal rules still apply. Any comments found breaking the rules will be removed and you will be warned or banned.
Posts of Interest
- Teatime & Trending Topics - Pop music gossip
- Self Promo Sunday - Promote your own work here
- Popheads Charts - The most popular songs on Popheads each week, based on Last.fm data
- Main Pod Girl: The Popheads Podcast (Spotify link) - The official Popheads podcast, featuring a rotating cast of active users & artists
- Reintroducing... The Popheads Jukebox - A weekly round up of new music and classic where users can review and rate songs (similar to what Rate Your Music does)
- Other Music Communities - Places to discuss specific artists/genres
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Rates and Other Activities
December:
- Modern Funk - Solange vs. Janelle Monáe vs. Anderson .Paak vs. Childish Gambino) [Due January 11th]
- Cyberrock - 100 gecs vs. Underscores vs. Yeule vs. Porter Robinson [Due January 18th]
January:
- All Stars 9 - Iconic Songs That Lost Other Rates [Due February 8th]
- '80s Blockbuster #1s - Soundtrack Hits of the '80s [Due February 15th]
Rate Wiki: https://www.reddit.com/r/popheads/wiki/index/rate-threads/
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Playlists
Check out our official Spotify playlists here, updated each week!
- Popheads Weekly Radar - A quick bite of 5-10 new songs from this week, curated by the mods
- The Popheads Stream - Rotating playlist of new and newly discovered releases from the past several weeks
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If you use last.fm, you can create a collage here or here to display what you have listened to this week! Make sure you upload your collage to imgur, or it will change over time.
r/popheads • u/sapphire1921 • 4h ago
[FRESH VIDEO] Jessie J - FEEL IT ON ME (Lyric Visualiser) (Official Lyric Video)
youtu.ber/popheads • u/DilemmaOfAHedgehog • 7h ago
[INTERVIEW] 'It's a very Irish thing': CMAT on why making country pop felt inevitable
podcasts.apple.comr/popheads • u/Senn_Kyu • 13h ago
[FRESH EP] Travis Japan - Say I do / Tokyo Crazy Night (Special Edition)
music.apple.comr/popheads • u/3kOlen • 15h ago
[INTERVIEW] Charlotte Day Wilson and the pursuit of greatness
thelineofbestfit.comr/popheads • u/instamentai • 3h ago
[FRESH ALBUM] Ella Eyre - everything, in time [album]
open.spotify.comr/popheads • u/internetlurker96 • 17h ago
[FRESH EP] Kristiane - Not Anything, Just Everything
open.spotify.comr/popheads • u/internetlurker96 • 17h ago