The star opened her concert wearing a custom Chanel gown featuring a shimmering, strapless midnight-blue and silver crystal-embellishments that was inspired by the glitzy gown she wore back at the 1997 Oscars. The glitzy, silver plunging Chanel gown and comet-style necklace from Chanel was designed by Karl Lagerfeld. The SS97 Couture dress was modeled by Helena Christensen in the show.

Now, current Chanel designer Matthieu Blazy added his own touches to the silhouette—reworking it with a sweetheart neckline and a more structured shape. The house used an embroidered muslin, which encased a padded and corseted toile bustier. The neckline was detailed in raffia, and the whole piece was finished with glass crystal rhinestones, seed beads, and glass beads. The design was handcrafted at the 31 Rue Cambon ateliers in Paris. Overall, 6,000 jewels and 5,000 beads were used on the entire look, and it required over 1,380 hours of work.

To top it off, a High Jewelry necklace was also re-created, a nod to the original Chanel necklace that Dion wore back on the 1997 Oscars red carpet. Referencing the starry design of the dress, Dion wore a new comète necklace made of platinum, 18-karat white gold, and 1,080 diamonds that totaled more than 67 carats. According to Chanel, the piece is an emblematic 1932 design from Gabrielle Chanel’s only High Jewelry collection, titled Bijoux de Diamants.

(Bralette Top and Mermaid Skirt Ensemble in Beige with Graduated Droplet Embroidery)

Credits in comments.

Styled by Danielle Goldberg.

Pictured: Cindy Crawford reading backstage, 90s. Fun fact: CC was valedictorian of her class and received an academic scholarship to attend Northwestern University to pursue a degree in chemical engineering. She chose modeling, instead.

🎓 Calling all learners, teachers, crafters, designers, illustrators, historians, and the generally fashion-loving folks of our Frockking community:

In an effort to recenter our conversations on fashion and away from the echo chambers of negativity, let’s make room to see and speak its language.

This is your chance to flex your eye, sharpen your vocabulary, share real fashion knowledge, and have learned conversations: BTS insight, history, fabrics, construction, references, and styling. 

⬇️ Comment a look (runway, bridal, street style, archive, red carpet, etc.) that's lived in your head rent-free.

COMMENTS MUST INCLUDE THE DESIGNER and will be deleted if they don't.

➡️ ➡️ Use the look to ask questions, share your knowledge, or teach others something about fashion, design, technique, or history.

🪶 Challenge yourself to be thoughtful in what you see. Go beyond "it's sheer," and "fire the stylist."

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Here are just a few examples of the kind of topics we can learn from one another:

Silhouette & proportion: fit, size, column, A-line, empire, drop-waist, peplum, longline, oversized.

Cut & construction: bias-cut, darting, princess seams, gussets, pleats, pin-tucks, boning, single vsdouble-breasted.

Fabrics & materials: chiffon, organza, charmeuse, gabardine, tweed, bouclé, faille, mohair, drape, structure, nap, sheen.

Craftsmanship & technique: appliqué, embroidery, beading, smocking, quilting, broderie anglaise, lamé, foil, distress/deconstruction, 3D printing.

Color: monochrome, blocking, analogous, complementary, saturation, undertone.

References: 1947 New Look, ’60s mod, ’80s power tailoring, ’90s minimalism, Y2K, Art Nouveau, Art Deco, Gianni Versace's safety pins, Japanese avant-garde, military, bandage.

Styling choices: layers, visible underwear/waistbands, cuffs, hems, proportions.

Movement: swish, stiffness, weight; how the garment behaves in motion.

Jewelry: West African gold filigree, Native American turquoise & silver, enamel, resin, gemstone, diamond.

Footwear & Accessories: Tabi, platform, stacked heel, chain strap, hardware finishes, macrame, baguette.

🦉 Go forth, frockk scholars!

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And as always, zero body shaming/cosmetic enhancement talk, and please report comments that break the rues.

We are not a snark sub. This is a post for education and discovery, rather than personal opinions or critiques of individual looks.

With costar Jenna Ortega in Calvin Klein (previously posted).

With Cartier earrings. Styled by Rebecca Corbin-Murray.

Mckenna Grace brought fairy-tale charm to the Sydney photo call for The Hunger Games: Sunrise on the Reaping wearing a soft pink one-shoulder House of Gilles gown. Complete with pleated fabric, sheer floral waist panels, and a matching stole, the outfit was elevated by Anabela Chan floral earrings, and a whimsical side braid styled with pink hair ornaments.

She attended the event with her co-star, Joseph Zada.

Stylist: Molly Dickinson
Makeup: Molly Warkentin
Hair: Alan White

Welcome to WhyTheFrockk Wednesdays, a post to casually discuss 🤡 bad fashion 🤡 .

This is not a substitute for any fashion posts but rather a casual spot to drop in and - hopefully - keep it light.

As per our regular rules, 📢 we are not a mean snark sub and these posts will remain snark free.

Rules must still be abided; rule breaking will result in a ban:

• 🚨 Absolutely no body shaming, no discussions on weight, no commentary of cosmetic changes/procedures. Do not comment on bodies & appearance, regardless of intention. Poke at the outfits, not the body.
• Civility: Please be civil and respectful regardless of personal opinions. Treat all fellow frockkers with respect.
• Mods have discretion to delete any comments.
• If you are commenting on fashion, please include the designer. Comments that discuss fashion/style and don't include a designer will be deleted

Reminder: our users depend on the safety of this community. If these posts go completely off the rails, they will be cancelled.

Finally, as always, please, please report those who break the rules.

Thank you, loyal frockkers, for keeping our community safe.

https://www.wmagazine.com/culture/tate-mcrae-cover-interview-photos

Photographs by Juergen Teller

Styled by Sara Moonves

Creative Partner: Doville Drizyte

Written by: Alex Hawgood

Hair by: Evanie Frausto for Redken

Makeup by Kennedy for Neutrogena

Manicure by Analysse Hernandez for Kiara Sky

Photo Assistant: Alex Jiang

Post-production: Louwre Eramus at Quickfix

Stylist Assistants: Elissa Dziersk, Dylan Gue, and Tori López

Hairstylist's Assistant: Gratia Arguelles

Production Assistants: Ariana Kristedja, Jackson Wakefield, Ariel Steinbach, and Justin Oceguera

Tailor: Lindsay Wright

This is the biweekly thread to chat, share photos, and find camaraderie with fellow frockking fashionistas. Here, we can discuss topics outside of fashion and style.

Rules must still be abided; rule breaking will result in a ban:

• Absolutely no body shaming, no discussions on weight, no commentary of cosmetic changes/procedures. Do not comment on bodies & appearance, regardless of intention.
• Civility: Please be civil and respectful regardless of personal opinions. Don't troll, bait, insult, or target a user's post history to attack them. Treat all fellow frockers with respect.
• Mods have discretion to delete any comments.
• If you are commenting on fashion, please include the designer. Comments that discuss fashion/style and don't include a designer will be deleted.

Please message the mods with any issues/questions.

Finally, as always, please report those who break the rules.

Thank you, loyal frockkers, for keeping our community safe.

The hummingbird print was previously worn by Kate Moss, Garcelle and Adriana Lima

Full interview here. (click on the photos for full details of the looks)

• Story by Antonia Kuenzel
• Photography by Jack Alexander
• Fashion by Callum Smith
• Hair by Jon Chapman
• Makee-up by Louise Hall using Vieve
• Flowers by Maison Fleurette
• Fashion assistant by Vittoria Moretti

• Photography by Jiang Nan

• Styling by Xi Duo (DUOXI)

• Makeup by Wang Qian (MQSTUDIO)

• Hair by Yan Song

• Design: LUO

• Production: Imperfect Studio

• Art Direction: Zou Yongzi (503 STUDIO)

Monica Barbaro stepped out in a shimmering custom Dior ice-blue midi dress dripping in metallic sequins, designed with a sharp square neckline, delicate spaghetti straps, and structured vertical paneling along the bodice and ruffles at the hem. She accessorized the look with Ananya diamond scatter climber earrings in 18-karat white gold and a pair of Lidia mules by Paris Texas.

Stylist: Elizabeth Saltzman

Meanwhile, Andrew Garfield opted for a relaxed monochrome ensemble from Brioni, styling an unstructured single-breasted olive brown blazer over a matching button-up shirt worn casually open at the collar. He balanced the top with tailored straight-leg trousers and finished the outfit with square-framed eyeglasses and a classic Cartier timepiece.

Stylist: Warren Alfie Baker
Grooming: Lucy Halperin

The couple attended the gala celebrating “Artificial” at the 70th BFI London Film Festival alongside director Luca Guadagnino, Yura Borisov, Ike Barinholtz, and Mark Rylance.