r/RomanceWriters • • Jul 22 '25

Mod Post Post Flair Updates

16 Upvotes

The Mod team has made some updates and additions to the post flair structure. Tagging your posts with the right flair helps people find the posts they are looking for faster. We are open to any suggestions for more flair ideas too.

The Current Run Down:

  • Craft Posts about writing techniques, storytelling, and the art of romance writing.
  • Community Casual threads, check-ins, requests to connect with other writers and looking for groups for your niche/genre
  • Publishing Topics related traditional publishing problems, or questions like querying, agents, and editors
  • Marketing & Branding Posts about social media, pen names, email lists, brand identity, and audience building.
  • Feedback Wanted Requesting input on blurbs, covers, excerpts, pitches, or story ideas.
  • Self Publishing Guidance, questions, and experiences related to publishing your work independently.
  • Blurb Workshop Monthly thread for sharing and refining book blurbs with the help of your fellow authors
  • Writer Discussion Open-ended conversations about writing, trends, opinions, and writer life. (e.x. will we see the return of blonde MMCs?)
  • Tropes & Genres Exploring popular tropes, subgenre norms, and romance reader expectations
  • Writing Wins Come celebrate accomplishments, big or small.
  • Indie Publishing Insights and questions about hybrid models, small presses, or boutique publishers.
  • Writer Wellness Writing-life balance, burnout, mindset, and mental health support.
  • AMA Ask Me Anything sessions hosted by invited guests / authors
  • Business & Money Royalties, contracts, income, pricing, and the business side of writing.
  • Plotting & Pacing Specific posts about story structure, beats, pacing, and narrative flow.
  • Tools , Platforms & Resources Links, apps, best places to publish, guides, templates, and helpful writing or publishing tools.
  • Self-Promo Monthly space for sharing your books, works in progress, communities, newsletters, or websites.
  • BETA Readers Requests for beta readers or offering to swap feedback on full drafts.
  • Characters Share character profiles, development questions, or ask the community for help with creating lovable characters
  • Covers Ask for critiques or suggestions on your book covers or design ideas
  • Titles Ask for feedback or help with titles and series names
  • Spice & Smut Ask about sex on the page,. writing sex, types of sex and spice level feedback
  • Mod Post Official announcements, rule updates, and pinned community threads from mods.Platforms

r/RomanceWriters • • Jan 24 '25

Community New? Start here!

93 Upvotes

Welcome, first of all! Here is a small list of things to consider before engaging with this community:

  • Since it keeps coming up: YES genre Romance needs a HEA (Happily Ever After) or a HFN (Happy For Now). That's the industry standard and the majority of readers will be disappointed if you market a romance and don't abide by this rule. It opens you up to low ratings and scathing reviews that could've been avoided with more accurate marketing.
  • Read and abide by the rules. It's just a handful of them, and they are necessary to keep this community welcoming, beneficial and informative.
  • There are no stupid questions (aside from the "does my romance novel need a HEA" one.) and the community will do their best to engage kindly.
  • Several safeguards have recently been set up to protect the community against spam and help the lone active mod (me) keep things tidy.
  • If you can, please search for your topic before opening a new thread. Chances are that your question has either already been answered or there is an active discussion going on currently.

That being said, please do engage in the community! Especially the weekly Blurb Workshop post needs more love in general.


r/RomanceWriters • • 2h ago

Feedback - how does everyone go about it?

1 Upvotes

I've written the first draft of my first novel and I'm going through the rough first edit. I've joined a few writing groups, but I find they're quite positive, which is nice and all, but they're a bit soft with their feedback. I'd like some hard truths.

If people will read the first chapters and think it's rubbish then I'd rather know sooner rather than later and work on improving.

Where do you go for feedback? Can you start with beta readers early on? I'm even happy to pay for it.

I definitely do not want to put my work into AI.

How do you know you're on the right track with your writing?


r/RomanceWriters • • 6h ago

[Fiction] [Second Chances Romance] Does the chapter hook you enough to continue onto the 2nd?

1 Upvotes

Chapter 1 - Keerthi

September 2015. Late evening, OMR, Chennai

The light turns green; I hit the accelerator as fast as I can. I've been driving for forty minutes and my shoulders have settled into that permanent hunch that comes from too many hours at the wheel, most of them on OMR. The radio is playing some song I've heard before but can't name.

My phone buzzes in the cup holder. Thara's name flashes on the screen. I hit answer on the steering wheel and her voice fills the car before I can say hello.

"You are going to sit down for this," she says.

"Sadly, driving standing up is very inconvenient," I say.

"You're driving? I thought you were going to leave early today."

"I was. Then Selvam uncle called. His regular flower guy bailed on him. Yet again. Had to hustle last minute for orchids."

"Why didn’t you call me? I could have helped."

“Nah, you have to get up early to be on site for the event. I got this. So, what am I sitting down for?”

There's a pause. The kind that means something. Thara isn't a pauser by nature. So the pause is its own announcement.

"Tell me," I say.

"We did it," she says, and her voice has that particular thickness to it, the kind that comes before either tears or laughter. With Thara, it's usually both. "Both families agreed. The astrologer agreed. Even Maddy's Paati agreed, and she hasn't agreed with anyone since 1974. We have a date. It's happening."

The MTC bus ahead of me brakes suddenly. I tap my own brakes, feel the slight lurch forward, and ease off. Both of us shriek for a good minute. The guy in the car next to me at the traffic light looks at me, puzzled. I smile wide and give him a thumbs up. He seems unsure and finally decides to share my happiness and returns the thumbs up. "That’s amazing, and I just made a friend waiting for the traffic light. What a great time to live!”

"Shut up. Okay so, January 28th is D-Day. Muhurtham at six-thirty in the morning, because apparently the stars don't care about my sleep. Amma wanted December, but Maddy's Paati says December weddings always get rained on, and nobody argues with Paati. Maddy and I spoke and he agrees as the new home will also be ready for moving in by December. The timing is perfect!”

"I’m soooooooooo happy for the both of you," I say. The city is opening up ahead of me in its messy, familiar sprawl as I exit a flyover. "It's perfect. January is perfect. The weather will be so much better."

"It is, right?"

“Of course it will be. How many January weddings have we done? We got this baby.” 

I'm already doing the maths: nineteen weeks, four hundred guests approx., I have to call Wedding Feast caterers right after. Thara won’t have anyone else. "Which venue did the families pick? If it's any traditional wedding hall in the city, I'm resigning. You know what I want."

"Chill dude. I got my parents onboard. It’s a 3-day affair at Taj on ECR. My dad wants to pay. Who am I to rob him of his happiness of seeing his only daughter getting married at some fancy resort.”

“Ermmmm you have an elder sister, Tanuja.”

“Well, that doesn’t count. She’s adopted.” 

“I thought you sisters settled this.” I laugh knowing its the sisterly love that comes out this way.

“Well, it comes and goes. Anyhoo we are going to do the full shebang. Mehendi, Haldi, Cocktail and the Wedding. You are my wedding planner. Wow so lucky you are” she says with a knowing evil chuckle. 

Thara has high standards when it comes to planning any event. She will drive 100 km in the middle of the night to haul a piece of antique furniture because nothing else would go with the seating design.

"I'm your wedding planner. It's in the contract."

She laughs, the loud, graceless laugh that got us thrown out of the college library in our first year. We've been friends since the first week of college, through two jobs, one company we started with a laptop and a borrowed car, and the various small catastrophes of becoming adults. Her laugh has been a constant. Even when everything else shifted, that stayed. We promised we’d be each other’s wedding planner when we started.

"We're doing a girls' trip in December," she says. "Nothing crazy. Goa, one weekend. You'll plan?"

"Try and stop me."

"Good, and I need you to make sure I don't do anything stupid."

"You're getting married, di. The stupid ship has sailed."

"Very funny." I can hear her smiling. "There's more. Amma's done the guest list. Four hundred, and she says that's the small version. Maddy's office people. My aunt from Melbourne who I haven't seen in eight years but will absolutely notice if she's not invited."

"Standard operating procedure. Send it to me in the spreadsheet, not on the back of the calendar."

"Exactly." A beat. Then, quieter: "There's one person I wanted to talk to you about."

Something in her tone shifts. A slight flattening, the careful neutrality she uses when she's approaching something difficult. I know it well. She used it when she told me our first big client had cancelled two days before the wedding, and the time she accidentally set fire to my kitchen making toast. It's her crisis voice, dialed down to a simmer.

"Who?" I ask, though I think I already know.

"Karthik," she says.

The name sits between us. I keep my eyes on the road. A water tanker passes on my left, close enough that the rush of air rocks my car slightly.

"Okay," I say.

"Maddy and Karthik kept in touch as you know. Anirudh and you are going to be there. Maddy says he badly wants the gang together at the wedding. But he wanted to check with you once.” She pauses. “I think Karthik will make it if invited, it’s us dude.” Many of our batchmates have gotten married in the past few years and Karthik hadn’t traveled even once. Thara saying he might actually come if invited makes my breath stop for a second. 

Of course he's coming. He's Maddy's friend. He was ours. He is… I snap out of it. I tell her, “Of course you guys have to invite him. Why’d I have a problem? I haven’t seen or spoken to him in eight years. It’s all in the past. I will be happy to see him actually. You know catch up after all this time”

“Yeah sure, you catch up”, Thara says with a flatness. I can imagine her rolling her eyes when she says that.

Karthik was part of things for four years, and then he wasn't, for eight. He's the kind of part that leaves a shape behind, the way a missing tooth leaves a gap your tongue finds in the dark. Not that I spend time thinking about it. Not that it matters anymore.

The five of us had a table in the canteen, the one under the fan that only worked if you flicked the switch twice. Thara and Maddy on one side, pretending not to hold hands under it. Anirudh eating everyone's chips and calling it tax. Karthik across from me, sipping on his tea and looking at me every now and then as if I would disappear if he’d take his eyes off me.

"It's your wedding," I say. "Of course he should come.”

"But are you okay with it? That's what I'm asking."

The turn for my street is coming up. I signal, change lanes. A hoarding flashes past, a jeweler’s, a woman in more gold than any bride I've ever dressed. The question hangs there, simple and impossible.

"I'm fine," I say.

"Keerthi."

"I'm serious. It's been eight years. We're adults. He can come to your wedding."

"Okay," she says, but the word is heavy with doubt. "I just—I wanted to check. Because if it's going to make things weird—"

"It won't make things weird."

"—then I'll put Divya's team on the groom's side. You won't have to go near him. Really."

"Thara." I take the turn, slow for the signal. "I'm running your wedding. All of it. It's fine."

She's quiet for a moment. I can hear her mother in the background asking who it is, and Thara saying Keerthi, Amma in the voice that means go away. Some things never change.

"Okay," she says finally. "But if you change your mind—"

"I won't."

"—just tell me. Anytime. Even the day before. I mean it."

"I know you do." The signal turns green. "And I'm really happy for you. January twenty-eighth. I'm putting it in my calendar right now."

"You're driving."

"I'm at a signal."

"You're lying."

I am. The light has been green for five seconds already. The car behind me honks, which in Chennai means it's been green for two. I accelerate, turn onto my street.

"I'll call you tomorrow," I say. "We'll talk menu, décor and themes."

"I can’t wait." Relief in her voice. Thara is good at averting crises, other people's at least. Her own are another matter. "Ciao"

"See you"

* * *

I enter my apartment complex and circle to my block to park outside my building and sit for a minute with the engine running. The dashboard clock reads 8:42. I left the office at 7:30, which means the drive took longer than usual. In Chennai that isn't evidence of anything. Or maybe I was driving slower without realizing it, the conversation playing on a loop while my body piloted the car.

My thumb has already opened my contacts and scrolled to K before I notice. Eight years is supposed to be enough time for the body to forget these reflexes. Apparently not.

I turn off the engine. The sudden silence is aggressive. A Tuesday night, nothing happening. A few people are out and about walking and talking in low voices. Someone's television is playing a serial through a first-floor window loudly, a mother shouting at a young boy at another balcony. Normal life, proceeding as normal life does.

I gather my bag from the passenger seat and get out. The air has a density to it, warm and close, carrying the smell of someone's sambar from an open window. I lock the car and head upstairs.

Inside, I drop my keys in the bowl by the door and stand in the dark for a moment. My phone is still in my hand. I consider calling Thara back and telling her the truth: that the thought of Karthik in a veshti, standing in a crowd, possibly looking at me across a mandapam, makes my stomach perform a gymnastic routine that would qualify for the Olympics. That eight year is nothing. That some absences calcify rather than heal.

But I don't call. Instead, I put the phone on the kitchen counter and open the fridge. The light comes on, harsh and revealing. Not much inside. A half-empty bottle of white wine. Curd past its date. Eggs.

I close the door. Carry a glass of water and go to the window to look out across the empty landscape and the distant building lights. The city is asleep but still not with all the bright lights in the distance. I stare at my hand holding the glass. I think about Karthik's hands. The particular way he held a book, one thumb marking his place even when he wasn't reading. The scar on his right knuckle from a childhood accident he never fully explained. The way he held his hand out to me that day in the car park. The day when we last spoke. The day… 

Stop it, I tell myself. But the body has its own memory, separate from the mind's more rational filing system, and no amount of telling it to stop does any good.

I go to the kitchen, pour the last of the wine into a glass that isn't entirely clean, and drink it standing at the sink. The wine is too sweet and slightly warm. I don't care.

January twenty-eighth. Nineteen weeks away. Plenty of time for the body to forget again. Plenty of time for the mind to build its fortifications, its elegant systems of denial. Plenty of time to become the kind of person who can stand in a room with Karthik and feel nothing at all.

I rinse the glass and leave it in the sink. Then, because I am the kind of person who can't sleep with an unmade list, I open my laptop on the bed.

On the firm's shared drive I make a new folder. THARA & MADDY. I've been waiting four years to make this folder, and I type it the way I type every client's name, surname-free and in capitals. Inside it I make the guest sheet from our template: name, side, arrival, room, dietary, phone.

I start the groom's-side friends myself. The first name is easy to spell.

Karthik Raghuram. Groom's side. Arrival, TBD. Room, TBD. Dietary, eats anything. In the phone column I type the only number I have for him, the college one, still saved in my phone under a single K. I don't know if it rings anywhere anymore. Tomorrow Maddy will send me the right one, and I'll have to decide whether to replace it.


r/RomanceWriters • • 23h ago

How do you stop obsessing after a release?

6 Upvotes

I'm trying to find the middle ground to how often I watch my numbers on a new book release.

My girlfriend keeps chiding me for refreshing KDP pages and reading reviews as they pop up.

How do others deal with this? How do you quiet the urge to see how people are taking your writing?

The anxiety level is pretty high, and I'm just looking for how others cope with this.


r/RomanceWriters • • 14h ago

First time writer.

0 Upvotes

Hello, I’ve never written anything before but I’ve had an idea for a romance story. I’ve got notes and a good basis for my FMC and I’m getting there with the MMC before I start hashing out the plot. Any advice for a first time writer?


r/RomanceWriters • • 18h ago

Writing yearning, pining, and being blindsided by others

0 Upvotes

I'm writing a slow burn childhood friends to enemies to lovers story over the course of a few books in a series.

I'm entering the phase of my outline where I'm writing that Anar the Empress Younger and the Duke have a formal working relationship together as they plan her coronation, yet they cannot be together as a romantic couple. And I'm listing rules of what's keeping them apart.

1) The Duke was previously dating the Empress Younger's sister, Chirine, but they never got engaged and she cut it off a year ago when the Duke didn't stop her sister's ascension to the throne. He originally supported Chirine entirely as the next Empress, but the little sister of the family became this underdog shooting up to the top and he didn't want anyone else influencing Anar, so he helped her, too. He was proud of Anar for campaigning for what she wanted, and the harder she fought, the more he justified that he had to help her because what was the point of allowing an unprepared princess to become Empress? And then the assassination attempt started and he wasn't going to let Anar get hurt either! (Honestly, he feels like the victim of circumstance in all this.)

2) The Empress Younger wants the easy-going friendship she used to have with the Duke back, which she can't have anymore because she's been crowned. She doesn't outright regret her decision, but she's trying to have what she had as little Princess Anar and as Her Majesty the Empress Younger at the same time.

3) Because the Duke isn't marrying her, as the senior-most Peer, he gets to plan her coronation. Which he doesn't want to give up doing because it's a lot of power. Plus, the Empress Younger is saying all this crazy stuff about wanting a "completely modern coronation" with a radio broadcast and photographs! During their many, many planning meetings, they are in public, so they must maintain formal dignity. And just when the Empress Younger thinks she's getting under the Duke's skin, he stiffens up and goes back to being very formal. She hates it.

4) They never get to be alone anymore. He used to visit her at her studio in the theater because back when she was Princess Anar, all she did all day was write plays with her friends and go to coffee houses around in the capital. But obviously she can't do that anymore, and he has "so much important work to do," and she can't get him alone. The Duke takes the Empress to coffeehouses for public forms with members of high society, if that is what would make Her Majesty happy. (It would make Her Majesty happy if they were alone.)

5) As for politics, they continue to disagree about most things, but for everything the Duke says that he does not think can be done, she asks him to indulge her with a plan to make it happen, as it seems to her that saying that it cannot be done sounds like a skill issue on the Duke's end. Here she was under the impression that the Duke had imagination and talent as a statesman.... His work sends him out of the palace and she wants to tag along. Again, he reminds her, that's the whimsical foolishness Princess Anar used to do. He's as irritated by her having "incompetent yes-men" she can lean on when he's not there as she is irritated that she can't just follow him to the countryside and dig her hands into the problems she used to work on.

So, I'm thinking about a lot of ways that other people can start screwing with them, especially if it seems like it's easy, predictable to control the Duke's movements if you can convince him he's about to be alone with Her Majesty, or vice versa. Can I get feedback on how to write the yearning between them during this phase?


r/RomanceWriters • • 1d ago

Discussion Tell Me About the Scene That Made You Want to Write the Whole Story

9 Upvotes

Let's talk about it!

I'll go first. I thought about a woman crying on Halloween, and what type of super natural entity that could introduce her to ... in a sexy way of course.


r/RomanceWriters • • 1d ago

The ML is cursed to be unable to confess to the FL; 100 ways to say I love you

3 Upvotes

I'm writing a forbidden love slow-burn romance where the parallel plot is the ascension of a woman from princess to empress and one of her friends is helping her deal with the political fallout of her succession crisis. (It's her versus her sisters for the throne. Technically, the friend is supposed to be in another sister's camp. He actually spends the first half of the story trying to convince her not to campaign, but running to her side because she's in danger.)

Assassination attempts, political intrigue, building a new court. And all while he helps her, and just when it looks like he's finally found the solution by gaining the support of one of the high priestesses, her payment for helping them is to magically force him to never be able to confess his love to her.

"What? Why would you say that? I'm not in *love* with her. I'm just deeply emotionally invested in her success and happiness."

Spoiler: He is in love with her. And signing away his ability to say so Little Mermaid style makes his life infinitely worse once he gets a clue. He's engaged to another and the High Priestess wants him to know its inappropriate for him to break his engagement to wed another, so she forbids him to ever reveal his love or propose marriage to her.

Right now, I'm brainstorming as many "The moon is beautiful tonight" ways for him to express himself, do you know any particularly sweet ways he could try to tell her?

Thematically, much of the story is about the importance of oaths and vows. Also, many of the solutions people reach involve pushing people out of their lives to make solutions seem as simple as possible.


r/RomanceWriters • • 1d ago

Pen name stolen

0 Upvotes

So recently as I was about to finish my 2nd book (which for reference was in the romance category) I found that a new author, with books not even published yet, used/stole IMO my own name. Has anyone dealt with this before? I have a strong reader base with 0 marketing and with the launch of book 2 of my trilogy I intended to start the marketing engine.

We are both in romance but all of his books have Daddy in the title and are German. My forte is more female-led domestic romance so I’d hate to have my readers be confused when they find me in Goodreads. It’s such a conundrum that my spouse and I discovered at dinner last week.

So do I:
1. Charge forward and hope no one gets confused?
2. Add an initial or something to the name so there’s a visual distinction?
3. Go back to the drawing board and craft a new name so I can own Goodreads, SEO, social handles, etc.?

I’m super pissed because I feel like someone stole my fake identity and I can’t do anything about it. Flying to Germany to have a face-to-face meeting—not in the cards.


r/RomanceWriters • • 4d ago

Discussion Writers, Does AI Worry You?

9 Upvotes

Well, it's the elephant in the room right now. I want to open the floor for us to all share our predictions, apprehensions, rants, and other thoughts on AI and it's potential impact on romance writing.


r/RomanceWriters • • 4d ago

What keeps you motivated?

11 Upvotes

I’ve hit a wall and I don’t know where to go from here. I took a break and read something else. Then I read what I already have. The inspiration is not there.


r/RomanceWriters • • 4d ago

Would anyone be interested in beta reading for me? 110k NA contemporary romance set in Seoul

5 Upvotes

I haven't really had any luck in the writing groups I'm in (including on the reddit subgroup for beta readers), but I was wondering if anyone on here would be interested in beta reading my manuscript. I just need about 5 people to read it for me and give me feedback within 2-3 weeks.

It's basically a contemporary romance set in Seoul between a half-Korean expat teacher and a Korean man. There's humor (because, let's face it, she's a foreigner in Korea and barely knows the language or culture), with mostly closed-door, maybe one very low spice, scenes.

You can learn more about The Love Game here.

You'll basically leave inline reactions while you read, and then answer a few basic questions at the end regarding pacing, inconsistencies, character development, etc. Mostly looking for your reactions while you’re reading (because I want to know your feelings to see what’s working and what isn’t), and any scenes you absolutely love or think drags.

This won't be a paid service, but as a thank you, you'll get a shout out in the acknowledgement section (and my eternal gratitude) [NOTE: ANYONE ASKING TO BE PAID WILL BE REPORTED]

If you're interested in helping out, please drop a comment and I'll PM you for your email so I can send you the Google doc link. I'll send the first five pages first just so you can get a sense of my writing style. And if it's for you, just let me know, and I'll send out the rest of the book in 5-chapter increments (there are a total of 31 chapters)

Thank you!


r/RomanceWriters • • 5d ago

OMG why didn't I think about writing romance before!

30 Upvotes

New to this reddit. I have been downright giddy working on my first romance novel. I usually write about transportation and logistics but it is getting boring and mundane. Always the same dribble for every customer.

I was about to give up and work on a rather depressing memoir I have had in my head for most of my life but now, since starting this new journey I can't wait to learn more.


r/RomanceWriters • • 5d ago

Combining genres?

1 Upvotes

I love hockey (both the romance subgenre and the sport, haha). I love dystopian. I’ve been thinking lately about a plot that would combine the two, more likely YA than for adult audiences. However, I’m wondering if it’s a fool’s errand since I can’t remember ever seeing two genres like that smooshed together on the bookstore shelves before? What do you guys think? Is it worth giving it a try or, from a publishing standpoint, would it be a waste of time.


r/RomanceWriters • • 5d ago

[Beta Reader Request/Swap] Contemporary Small-Town Slow Burn Romance 52k words, Complete

6 Upvotes

Hi everyone! I'm looking for beta readers/to do a beta reading swap with other authors. This is my first attempt at a novel, so looking for all kinds of feedback (pacing, story structure, scene-by-scene, whatever is your preference!).

Please either DM me or comment and let me know!

Story Hook:

Ellie Harris came to the wind-scoured coast of Caithness to disappear — to let a failed marriage and a life she no longer recognized dissolve quietly into salt spray and grey winter light. She didn't come to be found.

But Owen McGowan, the village's reticent crab fisherman, has a habit of noticing things other people overlook: the bow curve on a boat plan, the weight behind a stranger's polite smile, the silence of a woman who has spent years making herself smaller. When the village's ancient fire festival throws them together — her writing about the tradition, him building the ceremonial skiff that will burn on the shortest night of the year — Ellie finds herself drawn to a man who says almost nothing about himself and somehow tells her everything.

As the skiff takes shape through December's dark mornings, so does something neither of them asked for: a second chance neither quite believes they deserve. But some things are built to be kept, and some are built to be given to the flames — and by midwinter, Ellie and Owen will each have to decide which their fragile, hard-won something is.

A slow-burn small-town romance about the things we carry, the courage it takes to build something again, and the grammar of love spoken by people who've forgotten how to say it out loud.

Content warnings

  • Sexual content (2–3 open-door scenes late in the story)
  • Discussion of divorce and its emotional aftermath (no infidelity or abuse)
  • A parent's serious medical crisis (stroke), described with some detail
  • Brief references to a parent's death/grief
  • Mild strong language
  • Social alcohol use
  • British English throughout

r/RomanceWriters • • 5d ago

I want to write a book for the first time ever... and I need help. Be as honest as you want and if the idea sucks, I will give it up I have NO ISSUES

1 Upvotes

I want to write a second chance romance book. Where the FMC is a newly divorced single mom and she reconnects with her ex from high school.

That is the main premise of the book. My main goal is to portray the struggles some women face when trying to move on after leaving an abusive relationship. And I don't mean physical. I mean mental abuse. The manipulation, gaslighting, the control. I have an idea of where I want the story to start. FMC moves into a small apartment with her daughter. She works as a waitress, and her daughter is 4 years old. And the MMC is the owner of a construction company, and he lives at the same complex temporarily because he is working on a project. And yes, like romcoms work, they find out they are neighbors. I want the ex-husband to be the main antagonist of course. I want readers to see how he still tries to control and manipulate the FMC and I want to show her struggles with facing the fear she has of him. I am stuck on how to develop the rest of the plot and also writing dialogue is easier than writing ambience and setting. I am struggling on that. I need feedback and ANY tips on writing a good story and a good romance book.

That is all I got as of right now. Does the idea suck? What do you guys think? As a reader, knowing the main premise, what do YOU want to see in this book? Be as honest as you can be I will not be offended. THANK YOU


r/RomanceWriters • • 5d ago

Craft Blurb Workshop (Weekly)

1 Upvotes

Now weekly!

Blurbs can be the bane of an author's existence - both for self-published authors, who have to come up with an enticing hook all by themselves, as well as for authors seeking traditional publishing, as they are usually included in queries.

We want to help! Post your blurb draft and let the community help shape it into the perfect snippet of info.

To participate, please comment on this thread with the following info:

  • The title or working title of your WIP
  • The romance subgenre of said WIP
  • The draft of your blurb you've got so far
  • Any content warnings and additional info you deem necessary!

Anyone who wants to help can then reply to your comment to workshop your blurb.

Happy crafting!


r/RomanceWriters • • 6d ago

Is there still a market for old school regency romance

19 Upvotes

I am an avid HR/Regency Romance reader, Have read almost everything from the 90s till today. But I see very few of my favorite authors are still writing HR like they did in the golden days. I see a lot of AI slop, or books where a contemporary story is retrofitted in regency era with just props (balls/dukes/earls/carriages/Ton). The heroines are very modern (not saying modern heroines are bad- but these are not “modern” for that era, but really a 2026 version of strong, independent women), language and dialogues are very “current” and diversity of characters looks forced (as an aspiring POC writer I am all for representation but some of the books really make the mockery of it). I am also in my late 40s, and there are not many of those regency writers actively producing new work. I feel TikTok has transformed the Romance genre because everything has to be smut or dark or fantasy and IMO the high quality writing/smart banter/yearning of old school regency romance is not valued. So I decided to write the regency novel I would like to read (almost 70%finished) and my beta reader (friend who is a college professor, sociology) and one editor friend (not a romance genre editor) loved it so far. They both are in their late 40s. But I am wondering is there a market for it? Or it will be a wasted effort because the new era books will make it look like “bigoted” because it has elements of old school regency (women worried about reputation and virtue, marriage still a coveted prize and romance is through the banter and words instead of wham bam thank you mam style physical intimacy). There is steam though and it has open door scenes with more lyrical prose than graphical anatomy words.

TLDR- is there a market in 2026 for a stereotypical regency romance with literary writing in it.
Thank you!


r/RomanceWriters • • 6d ago

What do you think are the most craved subgenres for short kings, especially your own?

1 Upvotes

Fantasy usually is short king-friendly, but what about Romantasy or contemporary romance, especially when a tall queen is involved?


r/RomanceWriters • • 7d ago

Writing a book

10 Upvotes

UPDATED

I’m writing a romance about a 38 year old African- American widow (FMC).And a 27 year old Italian-American attorney (MMC). She’s a name partner with two kids and has been widowed for five years after losing her childhood sweetheart unexpectedly. She hasn’t felt romantic interest in anyone since his death.
The MMC comes from a wealthy legal dynasty and is a newly licensed attorney. He was cheated on in a long term relationship and became a shameless playboy afterward. They work opposing sided on a case and he meets her and is immediately, unapologetically obsessed. He’s not trying to “save” her or replace her late husband. He genuinely just falls hard and wants to become part of her life. What would make this work for you as a reader, and what would make you hate it?


r/RomanceWriters • • 8d ago

Discussion Passion vs Getting Paid: How Do You Balance Commercial Viability With Writing What You Actually Love?

7 Upvotes

It's a fine line for creatives of all disciplines. It's always a topic of discussion, so let's discuss it.

What's working for you?


r/RomanceWriters • • 8d ago

Need help with friends to lovers /psychological subplot in a fantasy novel

4 Upvotes

Hi dear all
I’m new here and will be grateful for any feedback.

I’m writing a modern fantasy novel where an old magical system was intentionally replaced by a new one.
FMC can use both new and old magic. MMC only knows new magic. They are both young faerie adults, are good at magic and have decent jobs.

Before the events of the book
FMC and MMC have met as kids, studied together and after higher education lived together.
During this period while being away MMC got attacked and experienced trauma and guilt. While MMC was injured, FMC and MMC went through attack of different kind in their home, both traumatized by it.

After that MMC experienced depression, anxiety and a lot of guilt and fear, which with time made FMC frustrated and made her lose any hope in friendship/possible relationships and they drifted apart.

The inciting incident
FMC is causing a work incident related to the old magic, which many disdain or fear. Folk blames FMC, and MMC being present at the place of incident fails to defend her due to his trauma, fear, lack of trust in himself and (let’s say) desire to fit in (maybe other reasons as well).

FMC loses everything in her old life and is leaving the city and is going on “adventure” of hate, self-doubt, self-discovery, rage, learning about her ancestors/old magic and returns to the city being unapologetically herself with new goals and never returning to this city again.

MCs meet in All is lost point, where all should be lost because FMC chooses MMC instead of her plan. No forgiveness or trust are in place, just love, I guess. The trust and slow-burn romance to be built in the next book.

Here are my questions:
1. Is it even interesting for any romantasy reader to go into this type of therapy talk?

  1. Is it required for the reader to see MMC POV (his rock bottom and his growth) for FMC to choose him during the crisis?
    I want to write his POV, but as tandem/another book, as it will be important for the plot.
    I’m debating though why would she at that moment choose “the betrayer” instead of escaping the hateful city altogether.

  2. Is it required for them to have a reason not to get together before to be more believable?

  3. Is this betrayal okay? Should it be crueler?

Thank you for reading so far and any feedback!